Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Protest music as an instrument for communicating social discontent in Africa

Several people in Africa are discontent with the nature of governance, leadership and socioeconomic issues that plague the continent. These grievances are expressed through protest music, which draws attention to human dissatisfaction due to colonial and post-colonial oppressive rule. As a critical...

Full description

Saved in:
Bibliographic Details
Format: Article
Published: 2017
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000njm a2000000a 4500
001 oai:repository.ui.edu.ng:123456789/4925
042 |a dc 
720 |a Obono, K.  |e author 
260 |c 2017 
520 |a Several people in Africa are discontent with the nature of governance, leadership and socioeconomic issues that plague the continent. These grievances are expressed through protest music, which draws attention to human dissatisfaction due to colonial and post-colonial oppressive rule. As a critical communication genre, protest music depicts the elites as architects of socioeconomic degradation. The paper examines socio-political climate in selected African countries. It describes the nature and relationships among governance, social discontent and protest music. Through contextual analysis, the paper identifies music as a medium of resistance communication. While it adopted Agenda Setting theory, purposive and available sampling techniques were used to select the relevant countries and songs. Findings reveal that protest music was strategically used in Nigeria and South Africa to unravel issues of social discontent. The genre operates as an information processing channel and socio-political commentary that offers the state knowledge about distasteful governance and opportunities to redress, adjust, amend and solidify good governance in affected countries. The analysis shows that protest music is context-specific and isused as an instrument for communicating social discontent in selected African countries. 
024 8 |a 1597-0077 
024 8 |a ui_art_obono_protest_2017 
024 8 |a Journal of Communication and Language Arts 8(1), pp. 199-221 
024 8 |a http://ir.library.ui.edu.ng/handle/123456789/4925 
653 |a Human dissatisfaction 
653 |a Protest music 
653 |a Social discontent 
653 |a Resistance 
245 0 0 |a Protest music as an instrument for communicating social discontent in Africa