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A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)

Dissertation (MA (Visual Studies))--University of Pretoria, 2024.

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Other Authors: Lauwrens, Jenni
Format: Thesis
Language:English
Published: University of Pretoria 2025
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access_status_str Open Access
author2 Lauwrens, Jenni
author_browse Lauwrens, Jenni
author_facet Lauwrens, Jenni
collection Thesis
dc_rights_str_mv © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MA (Visual Studies))--University of Pretoria, 2024.
format Thesis
id oai:repository.up.ac.za:2263/100653
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:38:39.160Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/100653 A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017) Lauwrens, Jenni sanka.pityana1@gmail.com Du Plessis, Rory Pityana, Nomathamsanqa Freya Jewkes UCTD Sustainable Development Goals (SDGs) Masculinities Film Gender Performance Connell Butler Black masculinities Hegemonic Hermeneutics Dissertation (MA (Visual Studies))--University of Pretoria, 2024. A hermeneutic analysis of the South African films Tsotsi (Hood 2005) and Inxeba (Trengrove 2017) on the representation of masculinities. Gender and gender performance is explored as well as how types of masculinities are portrayed and the effect(s) they have (if any) on the story. Additionally, how the directors being white, yet telling black stories, affects the storyline as well as the reception received by each film based on this factor. Visual Arts MA (Visual Studies) Unrestricted Faculty of Humanities None 2025-02-10T11:05:00Z 2025-02-10T11:05:00Z 2025-05 2024-08 Dissertation * A2025 http://hdl.handle.net/2263/100653 https//:doi.org/10.25403/UPresearchdata.28006964 en © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Sustainable Development Goals (SDGs)
Masculinities
Film
Gender
Performance
Connell
Butler
Black masculinities
Hegemonic
Hermeneutics
A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title_full A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title_fullStr A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title_full_unstemmed A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title_short A hermeneutic analysis of the representation of masculinities in Tsotsi (Hood 2005) and Inxeba (Trengrove 2017)
title_sort hermeneutic analysis of the representation of masculinities in tsotsi hood 2005 and inxeba trengrove 2017
topic UCTD
Sustainable Development Goals (SDGs)
Masculinities
Film
Gender
Performance
Connell
Butler
Black masculinities
Hegemonic
Hermeneutics
url http://hdl.handle.net/2263/100653
https//:doi.org/10.25403/UPresearchdata.28006964