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Digital re-mediation in contemporary sculpture praxis : human-technology co-creation

Thesis (PhD (Digital Culture and Media))--University of Pretoria, 2025.

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Other Authors: Adendorff, Adéle
Format: Thesis
Language:English
Published: University of Pretoria 2025
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access_status_str Open Access
author2 Adendorff, Adéle
author_browse Adendorff, Adéle
author_facet Adendorff, Adéle
collection Thesis
dc_rights_str_mv © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (PhD (Digital Culture and Media))--University of Pretoria, 2025.
format Thesis
id oai:repository.up.ac.za:2263/103219
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:37:39.235Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/103219 Digital re-mediation in contemporary sculpture praxis : human-technology co-creation Adendorff, Adéle carolkuhn42@gmail.com Du Preez, Amanda Kuhn, Carol UCTD Sculpture Digital re-mediation Embodiment Neomaterial aesthetic Postdigital reassemblage Thesis (PhD (Digital Culture and Media))--University of Pretoria, 2025. Digital Re-Mediation in Contemporary Sculpture Praxis: Human-Technology Co-Creation," presents a hermeneutic interpretation of the praxes of traditionally trained sculptors now working in a postdigital (analogue-digital) reality. It examines digital technology’s mediating role to show how the infolding of digitised bodies and embodied technologies form a co-creating nonlinear affective intra-action between the sculptor, digital device, and material. In this re-mediated hybrid reality, sculptor-digital technology relations respectively characterise a postdigital reassemblage defined by the notion of agentic matter constituting a performative sense of becoming-with the digital. Postphenomenology and New Materialism are used to theorise digital fabrication technology’s multistable conditions of use and interpret sculptors’ intentions and materially situated relationality with the device. The study shows sculptors’ embodied interactions occur through, with, alongside, and towards digital technologies, and the neomaterial aesthetic arising from this agentic entangled system of physical and non-tangible matter reterritorialises contemporary sculpture within the digital paradigm. Visual Arts PhD (Digital Culture and Media) Unrestricted Faculty of Humanities None 2025-07-08T08:04:48Z 2025-07-08T08:04:48Z 2025-09 2025-07 Thesis * S2025 http://hdl.handle.net/2263/103219 https://doi.org/10.25403/UPresearchdata.29492612.v1 10.25403/UPresearchdata.29492612 en © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Sculpture
Digital re-mediation
Embodiment
Neomaterial aesthetic
Postdigital reassemblage
Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title_full Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title_fullStr Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title_full_unstemmed Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title_short Digital re-mediation in contemporary sculpture praxis : human-technology co-creation
title_sort digital re mediation in contemporary sculpture praxis human technology co creation
topic UCTD
Sculpture
Digital re-mediation
Embodiment
Neomaterial aesthetic
Postdigital reassemblage
url http://hdl.handle.net/2263/103219
https://doi.org/10.25403/UPresearchdata.29492612.v1