Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi

Thesis (PhD (Visual Studies))--University of Pretoria, 2025.

Saved in:
Bibliographic Details
Other Authors: Kriel, Lize
Format: Thesis
Language:English
Published: University of Pretoria 2025
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613544370929664
access_status_str Open Access
author2 Kriel, Lize
author_browse Kriel, Lize
author_facet Kriel, Lize
collection Thesis
dc_rights_str_mv © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (PhD (Visual Studies))--University of Pretoria, 2025.
format Thesis
id oai:repository.up.ac.za:2263/103461
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:37:50.174Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/103461 Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi Kriel, Lize mamayewo@gmail.com Beyers, Jaco Chikabadwa, Eva UCTD Sustainable Development Goals (SDGs) M'Bona Man'ganja Malawi Visual culture Religion studies African heritage Thesis (PhD (Visual Studies))--University of Pretoria, 2025. The study examines the role of the visual in research and documentation by analysing the power relations between the visual, oral, and written forms in the context of heritage preservation, drawing on theories of visual culture. The project aimed to visualise the M’bona beliefs and practices for the adornment of a future museum in a manner that strikes a balance among the three (visual, oral, and written) for heritage sustainability. The vision aligns with the concept of ‘decolonizing heritage for development,’ where development encompasses improvements in both material and non-material aspects, the ability to help others, and a change in individual and collective circumstances. Heritage, on the other hand, comprises skills, knowledge, and practices. In short, heritage development is a consequence of heritage and heritage making. The study organized the data using Ninian Smart’s seven dimensions of religion. It employed Clifford Geertz’s definition of religion, Talal Asad’s critique, the African Traditional Religions framework, and participants’ views to examine the M’bona culture as a religion. The Manganja M’bona advocates asserted that they do not consider the term ‘religion’ applicable in their culture. An experimental research approach, the ‘Meta Picture Data Collection Technique,’ which strikes a balance between textual, oral, and visual elements of heritage while prioritizing community involvement, was developed and used in the study. The technique aims to balance practice and theory in visual culture by emphasizing artmaking as a holistic approach, much like reading and writing texts for deeper studies. Malawi Copyright Association University of Pretoria Malawi University of Science and Technology South African National Institute for the Humanities and Social Sciences National Research Foundation of South Africa University of Potsdam (RTG Minor Cosmopolitanisms) COSOMA Four Petals Garden Visual Arts PhD (Visual Studies) Unrestricted Faculty of Humanities SDG-04: Quality Education SDG-16: Peace, justice and strong institutions SDG-09: Industry, innovation and infrastructure 2025-07-18T08:58:38Z 2025-07-18T08:58:38Z 2025-09 2025-06 Thesis * S2025 http://hdl.handle.net/2263/103461 See letter en © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Sustainable Development Goals (SDGs)
M'Bona
Man'ganja
Malawi
Visual culture
Religion studies
African heritage
Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title_full Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title_fullStr Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title_full_unstemmed Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title_short Visualising M’bona religious beliefs and practices : a visual cultural artistic co-production with the custodians of Khulubvi and Associated Rain Shrines in Nsanje, Malawi
title_sort visualising m bona religious beliefs and practices a visual cultural artistic co production with the custodians of khulubvi and associated rain shrines in nsanje malawi
topic UCTD
Sustainable Development Goals (SDGs)
M'Bona
Man'ganja
Malawi
Visual culture
Religion studies
African heritage
url http://hdl.handle.net/2263/103461