Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness

Dissertation (MA (Creative Writing))--University of Pretoria, 2025.

Saved in:
Bibliographic Details
Other Authors: Medalie, David
Format: Thesis
Language:English
Published: University of Pretoria 2026
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1869483957674835968
access_status_str Open Access
author2 Medalie, David
author_browse Medalie, David
author_facet Medalie, David
collection Thesis
dc_rights_str_mv © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MA (Creative Writing))--University of Pretoria, 2025.
format Thesis
id oai:repository.up.ac.za:2263/107635
institution University of Pretoria (South Africa)
language English
last_indexed 2026-07-01T04:07:15.368Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2026
publishDateRange 2026
publishDateSort 2026
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/107635 Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness Medalie, David u17081972@tuks.co.za Harrison, Emily UCTD Sustainable Development Goals (SDGs) Dystopian fiction Apocalyptic fiction Ecocriticism Ecocentric personification Ecosemiotics Climate change Diane Cook The New Wilderness Environmental criticism Dissertation (MA (Creative Writing))--University of Pretoria, 2025. This dissertation explores the role of language in the perception and treatment of Nature, something that is of particular importance as humankind faces its most prominent crisis: climate change. By conducting an ecocritical analysis of Diane Cook's dystopian novel The New Wilderness, this study explores the literary and linguistic methods that can be employed to discuss Nature in a respectful way. In order to explore the language used in The New Wilderness, the discussion is framed around ecocritical definitions and criteria from the work of Pippa Marland and Bryan Moore as well as ideas from other ecocritical voices. This dissertation investigates how the genre of dystopian fiction as well as apocalyptic elements may work to frame an ecocentric discussion of the natural world in light of the current climate crisis. The study explores the techniques of language choice, ecocentric personification and eco semiotics as alternative methods of representing and writing about Nature. The dissertation is thematically linked to the creative component of this M.A in Creative Writing, Leftover, a dystopian novel with apocalyptic elements. The novel is also concerned with representations of Nature and ecological concerns. Both works emphasise ecocritical concerns in a time of climate uncertainty. Unit for Creative Writing MA (Creative Writing) Unrestricted Faculty of Humanities None 2026-01-28T06:38:19Z 2026-01-28T06:38:19Z 2026-04 2025 Dissertation * A2026 http://hdl.handle.net/2263/107635 Disclaimer letter en © 2024 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Sustainable Development Goals (SDGs)
Dystopian fiction
Apocalyptic fiction
Ecocriticism
Ecocentric personification
Ecosemiotics
Climate change
Diane Cook
The New Wilderness
Environmental criticism
Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title_full Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title_fullStr Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title_full_unstemmed Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title_short Leftover and 'A zero-sum landscape': nature, climate change, and dystopia in Diane Cook's The New Wilderness
title_sort leftover and a zero sum landscape nature climate change and dystopia in diane cook s the new wilderness
topic UCTD
Sustainable Development Goals (SDGs)
Dystopian fiction
Apocalyptic fiction
Ecocriticism
Ecocentric personification
Ecosemiotics
Climate change
Diane Cook
The New Wilderness
Environmental criticism
url http://hdl.handle.net/2263/107635