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Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books

Dissertation (MA (English))--University of Pretoria, 2005.

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Other Authors: Brown, Molly
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Published: University of Pretoria 2013
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access_status_str Open Access
author2 Brown, Molly
author_browse Brown, Molly
author_facet Brown, Molly
collection Thesis
dc_rights_str_mv © 2003, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MA (English))--University of Pretoria, 2005.
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institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:59.869Z
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provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
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spelling oai:repository.up.ac.za:2263/22840 Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books Brown, Molly upetd@ais.up.ac.za Kneen, Bonnie Voices in the park David mckee Complexity John burningham Children’s literature Gesofistikeerdheid Sophistication Picture books Kompleksiteit Kinderletterkunde I hate my teddy bear Granpa Anthony browne Prenteboeke UCTD Dissertation (MA (English))--University of Pretoria, 2005. Contemporary children’s books, particularly picture books, show an increasing tendency towards complexity and sophistication. There is, however, some resistance to this tendency in the children’s book world. This thesis therefore critically analyses complexity and sophistication in three picture books - chosen because they represent particularly high numbers of the most common complexities and sophistications - in order to determine whether or not such resistance is appropriate. The study defines picture books as fictional, illustrated books in which pictures and design are vehicles for meaning, where text and art are integral aspects of an interdependent relationship. It thus examines words, the roles of words and pictures and their interactions, linear progression, time and page-breaks, rhythm, design, colour, medium, style, line, regularity, balance, framing, shot, point of view, gaze, visual weight, position, shape, size, light, background, symbol, pictorial analogy, visual games, nonsense, intervisuality, intravisuality, leitmotif and counterpoint. The sophisticated structure, polyphony, visual nonsense and allusion of Anthony Browne’s Voices in the Park allow deep, complex examinations of its characters’ psychologies, making marginalized groups visible and critiquing stereotypes of class, gender, family structure and unemployment. Its sophistications and complexities thus enable Browne’s book to satisfy significant priorities in the children’s book world, because it avoids overt didacticism, respects “literary” values and is socially aware. The sophisticated structure, visual nonsense, multidimensionality and multivoicedness of David McKee’s I Hate My Teddy Bear raise problems of narrative and focalizer, overtly inscribe inconsistency, vagueness and uncertainty, and determinedly resist resolution. McKee’s book thus refuses to imply a clear reader role, and situates readers firmly outside itself, where subjection to any one interaction with, response to or idea within it becomes impossible. This stimulates child readers’ creative thought, and distributes power between adult writers and child readers unusually equitably, thus offering children the respect and power of literary and ideological self-determination in a safe, restricted area of fiction. John Burningham’s Granpa neglects many of the conventions of writing and storytelling, so that readers face the multiplexity of its form and structure, the emergence of its linear narrative from apparent stasis into irresolution and ambiguity, and its difficult themes and psychological content, with very little guidance in their reading beyond frequently confusing formal signals. This is difficult for adult readers, who have learnt to expect certain conventions from stories, and to use them to interpret and predict what they read. It may, however, be particularly easy for child readers, because it does not force them to read in ways that are still foreign to and thus possibly difficult for them. It may even be less threatening to children and antagonistic to children’s culture than most children’s books, because it does not socialize children into the alien adult culture concomitant with conventional reading. Together, these analyses reveal that complex, sophisticated children’s books may function in a variety of ways. The children’s book world should thus rather evaluate them individually than reject the entire genre. English unrestricted 2013-09-06T13:49:06Z 2004-02-10 2013-09-06T13:49:06Z 2003-01-21 2005-02-10 2004-01-12 Dissertation Kneen, B 2003, Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books, MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/22840 > http://hdl.handle.net/2263/22840 http://upetd.up.ac.za/thesis/available/etd-01122004-122527/ © 2003, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Voices in the park
David mckee
Complexity
John burningham
Children’s literature
Gesofistikeerdheid
Sophistication
Picture books
Kompleksiteit
Kinderletterkunde
I hate my teddy bear
Granpa
Anthony browne
Prenteboeke
UCTD
Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title_full Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title_fullStr Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title_full_unstemmed Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title_short Granpa and the polyphonic teddy bear in Mr Magritte's multidimensional gorilla park : complexity and sophistication in children's picture books
title_sort granpa and the polyphonic teddy bear in mr magritte s multidimensional gorilla park complexity and sophistication in children s picture books
topic Voices in the park
David mckee
Complexity
John burningham
Children’s literature
Gesofistikeerdheid
Sophistication
Picture books
Kompleksiteit
Kinderletterkunde
I hate my teddy bear
Granpa
Anthony browne
Prenteboeke
UCTD
url http://hdl.handle.net/2263/22840
http://upetd.up.ac.za/thesis/available/etd-01122004-122527/