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Perspectives about musicians' performance anxiety

Dissertation (MMus)--University of Pretoria, 2008.

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Other Authors: Van der Mescht, Heinrich Hermann
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Van der Mescht, Heinrich Hermann
author_browse Van der Mescht, Heinrich Hermann
author_facet Van der Mescht, Heinrich Hermann
collection Thesis
dc_rights_str_mv © 2008, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MMus)--University of Pretoria, 2008.
format Thesis
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institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:37:28.126Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
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source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/23579 Perspectives about musicians' performance anxiety Van der Mescht, Heinrich Hermann marshallpiano@yahoo.com Marshall, Anne Jessamine Positive stress Biological Psychological Performance anxiety Cognitive Emotional Stress Behavioural Symptoms Musicians Perspectives Musuc therapy Negative stress Audience Theories UCTD Dissertation (MMus)--University of Pretoria, 2008. The aim of the study was to explore the sources concerning musical perspectives about performance anxiety and their influence on musicians. Since this study is a review of the available literature on this topic, I used mainly books, articles and reported case studies. The problems encountered while writing this dissertation were the lack of material available on the subject of using music to deal with musicians who suffer from performance anxiety. Musicians listen to music differently from non-musicians, and therefore, when using music to deal with their performance anxiety, a different approach would have to be used. In this dissertation four main perspectives of music and their relationship to performance anxiety are discussed. My general conclusion is that, although each theory sees performance anxiety through a different light, they all have the same general thinking about performance anxiety. Performance anxiety has to be dealt with separately and differently with each musician. Unfortunately there is no set pattern or plan that can be set down to alleviate performance anxiety. However, common symptoms and useful ways to deal with them are discussed. One very important point that I realised early on in my dissertation, was that performance anxiety has to be dealt with at an early age. Young musicians often suffer severely from performance anxiety. If this can be recognised early in musicians’ careers, they will start to learn to cope with the symptoms; it will become part of their learning process as musicians. I feel that there could be a more open approach to performance anxiety. Performance anxiety is often seen as a sign of weakness and is therefore often not discussed openly. The music therapist Pixie Holland says that people with a lot of stress in their lives are often not willing to admit that they have a problem coping with stress. Therefore, the first step to dealing with performance anxiety is for musicians to admit that they suffer from it and cannot cope with it by themselves. I recommend to musicians to read as much as possible about the subject of performance anxiety. The more one knows what happens while suffering from performance anxiety, the easier it might be to deal with it. Even though there is much documentation and literature available on the subject of using music to relieve anxiety and stress, there was only a small amount available on the specific use of music to relieve musicians’ performance anxiety. I therefore recommend further study on the effects of music on performance anxiety that musicians suffer in a musical performance situation. Copyright Music unrestricted 2013-09-06T15:39:08Z 2010-03-29 2013-09-06T15:39:08Z 2009-04-29 2008-09-29 2010-03-29 Dissertation Marshall, AJ 2008, Perspectives about musicians' performance anxiety, MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/23579 > F10/157/gm http://hdl.handle.net/2263/23579 http://upetd.up.ac.za/thesis/available/etd-03292010-141740/ © 2008, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Positive stress
Biological
Psychological
Performance anxiety
Cognitive
Emotional
Stress
Behavioural
Symptoms
Musicians
Perspectives
Musuc therapy
Negative stress
Audience
Theories
UCTD
Perspectives about musicians' performance anxiety
title Perspectives about musicians' performance anxiety
title_full Perspectives about musicians' performance anxiety
title_fullStr Perspectives about musicians' performance anxiety
title_full_unstemmed Perspectives about musicians' performance anxiety
title_short Perspectives about musicians' performance anxiety
title_sort perspectives about musicians performance anxiety
topic Positive stress
Biological
Psychological
Performance anxiety
Cognitive
Emotional
Stress
Behavioural
Symptoms
Musicians
Perspectives
Musuc therapy
Negative stress
Audience
Theories
UCTD
url http://hdl.handle.net/2263/23579
http://upetd.up.ac.za/thesis/available/etd-03292010-141740/