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The music of Philip Tabane - An historical analytical study of Malombo music of South Africa
Thesis (DMus)--University of Pretoria, 2010.
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University of Pretoria
2013
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| _version_ | 1867613501919330304 |
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| access_status_str | Open Access |
| author2 | Nzewi, Meki |
| author_browse | Nzewi, Meki |
| author_facet | Nzewi, Meki |
| collection | Thesis |
| dc_rights_str_mv | © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Thesis (DMus)--University of Pretoria, 2010. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/24447 |
| institution | University of Pretoria (South Africa) |
| last_indexed | 2026-06-10T12:37:09.691Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2013 |
| publishDateRange | 2013 |
| publishDateSort | 2013 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/24447 The music of Philip Tabane - An historical analytical study of Malombo music of South Africa Nzewi, Meki galane.s@doe.gov.za Galane, Sello Edwin Kiba music Originality Kwela Mbaqanga Marabi Cothoza jo Malombo Sarrel Samro Kwaito Kwaai-jazz Malombo-jazzmen Mqashiyo Afrophonia Norm Local quota Diasporaphonia UCTD Thesis (DMus)--University of Pretoria, 2010. This study seeks to investigate the origin and development of the thinking, make up, evolution, meaning, impact, essence of originality, and attempts to reclaim the true identity of African music of South Africa from 1963 to date by Philip Tabane through his concept of Malombo Music. This study introduces Philip Tabane’s biographical background, and sketches out the socio political milieu in which he has had to do creative work, maps out stages of development of Malombo music, and investigates how media was bent on shaping a particular public opinion about Malombo music. The latter is juxtaposed against Philip Tabane’s own philosophy of music making. The research further investigates what Tabane’s own definition of Malombo is. Primary and secondary sources of data are consulted, including a collection of primary data drawn from continuous dialogue with Dr Philip Tabane himself from 1990 to 2008, and getting to do media scan of public statements made in interviews with journalists. One on one discussions were held with Dr Philip Tabane in order to understand and verify popular views held about him and about his work. Secondary sources included newspaper articles, journals, policy documents, and internet survey. Findings of this research are a record of Philip Tabane’s life, discography; philosophy; compositions; key debates on the management of heritage; rights and ownership of intellectual property in South Africa; analysis of Tabane’s compositional and stylistic format; Tabane’s national and international profile; and suggestions for the development of true national heritage and culture. Above all the research findings will help in providing necessary understanding of South African music history, especially future challenges on concept development in music, ownership and rights, recommended amendments to the existing legislative framework that governs broadcast and copyrights, as well as the very history of one of the least celebrated but honoured son of the soil, Dr Philip Nchipi Tabane. Additional information available on a CD, DVD stored at the Merensky Library on Level 3 Copyright Music unrestricted 2013-09-06T17:35:04Z 2010-05-07 2013-09-06T17:35:04Z 2010-04-20 2010-05-07 2010-05-07 Thesis Galane, SE 2009, The music of Philip Tabane - An historical analytical study of Malombo music of South Africa , DMus thesis, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/24447 > D10/300/gm http://hdl.handle.net/2263/24447 http://upetd.up.ac.za/thesis/available/etd-05072010-215441/ © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf University of Pretoria |
| spellingShingle | Kiba music Originality Kwela Mbaqanga Marabi Cothoza jo Malombo Sarrel Samro Kwaito Kwaai-jazz Malombo-jazzmen Mqashiyo Afrophonia Norm Local quota Diasporaphonia UCTD The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title | The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title_full | The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title_fullStr | The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title_full_unstemmed | The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title_short | The music of Philip Tabane - An historical analytical study of Malombo music of South Africa |
| title_sort | music of philip tabane an historical analytical study of malombo music of south africa |
| topic | Kiba music Originality Kwela Mbaqanga Marabi Cothoza jo Malombo Sarrel Samro Kwaito Kwaai-jazz Malombo-jazzmen Mqashiyo Afrophonia Norm Local quota Diasporaphonia UCTD |
| url | http://hdl.handle.net/2263/24447 http://upetd.up.ac.za/thesis/available/etd-05072010-215441/ |