Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Kgegeo Dingwalong Tša Sepedi (Sepedi)

Thesis (DLitt)--University of Pretoria, 2012.

Saved in:
Bibliographic Details
Other Authors: Groenewald, P.S. (Pieter Schalk)
Format: Thesis
Published: University of Pretoria 2013
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613459004260352
access_status_str Open Access
author2 Groenewald, P.S. (Pieter Schalk)
author_browse Groenewald, P.S. (Pieter Schalk)
author_facet Groenewald, P.S. (Pieter Schalk)
collection Thesis
dc_rights_str_mv © 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (DLitt)--University of Pretoria, 2012.
format Thesis
id oai:repository.up.ac.za:2263/25574
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:36:28.597Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/25574 Kgegeo Dingwalong Tša Sepedi (Sepedi) Groenewald, P.S. (Pieter Schalk) Mojalefa, M.J. (Mawatle Jeremiah), 1948- mamalatswa.maruma@ul.ac.za Maruma, Mamalatswa Walburga Content Morale story Conscience Style Stylistic features Satire Sarcasm Theme Author’s attitude Irony UCTD Thesis (DLitt)--University of Pretoria, 2012. In Sepedi, there is a problem of using irony instead of satire in reference to literary genres. The difference between the two concepts is that irony is a figure of speech and satire is a text type. To bring clarity on this issue, an attempt was made to give a thorough explanation of these concepts. In addition to this, emphasis was on the indication of how irony is employed in writing satire , explanation of structure of genres classified as irony, the correct name for such writings and an indication of how style differentiates those genres. Satire as a literary genre, like moral and didactical narratives has the aim of exposing evil in the society. In the light of this, an attempt was made to differentiate between satire as a literary genre and as a didactical narrative. In an attempt to clarify this, use was made of narratological model which emphasises content, plot and style in genre analysis. Irony as a figure of speech is embedded in the analysis of style in a text. This implies contrast which may be vertical or horizontal, depending on the position of words, sentences or morphemes in a sentence. When used vertically, it gives a meaning different from the reality, thus saying the opposite of what one means. To give a thorough explanation of the concept of satire, it was differentiated from moral stories by using two short stories namely, ‘Nna nka se je dipute…’ from Mantšhaotlogele (1985) by S.N. Nkadimeng and ‘Nka se sa boeletša’ from Medupi ya megokgo (1985) by D.L.M Mpepele. The two short stories were preferred in this study because of remarkable resemblances in respect of their content. They both outline the conflict between the child and a parent and they are similar in setting and milieu. The differences of these concepts as outlined in the summary of this work lies in their style. In his work, Nkadimeng stated the conflict in such a way that it is resolved by introducing a new character, the father in this case, who seemed to be passive all along. He intervenes in the conflict to act as the conscience of the mother, jolting her to her senses on time. Nkadimeng’s style is cool and calm, thus creates a pleasant atmosphere. Mpepele outlined the conflict until the parent acknowledges his wrong behaviour and confesses that he will never do it again. The father thus learned a hard way. Mpepele’s style is sharp, self – biting and spells out venom which effectively intercepts the lesson the father must learn. African Languages unrestricted 2013-09-06T22:29:07Z 2012-06-18 2013-09-06T22:29:07Z 2012-04-12 2012-06-18 2012-06-16 Thesis Maruma, MW 2012, Kgegeo Dingwalong Tša Sepedi, DLitt thesis, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/25574 > D12/4/536/ag http://hdl.handle.net/2263/25574 http://upetd.up.ac.za/thesis/available/etd-06162012-142125/ © 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Content
Morale story
Conscience
Style
Stylistic features
Satire
Sarcasm
Theme
Author’s attitude
Irony
UCTD
Kgegeo Dingwalong Tša Sepedi (Sepedi)
title Kgegeo Dingwalong Tša Sepedi (Sepedi)
title_full Kgegeo Dingwalong Tša Sepedi (Sepedi)
title_fullStr Kgegeo Dingwalong Tša Sepedi (Sepedi)
title_full_unstemmed Kgegeo Dingwalong Tša Sepedi (Sepedi)
title_short Kgegeo Dingwalong Tša Sepedi (Sepedi)
title_sort kgegeo dingwalong tsa sepedi sepedi
topic Content
Morale story
Conscience
Style
Stylistic features
Satire
Sarcasm
Theme
Author’s attitude
Irony
UCTD
url http://hdl.handle.net/2263/25574
http://upetd.up.ac.za/thesis/available/etd-06162012-142125/