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An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists

Dissertation (MA)--University of Pretoria, 2012.

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Other Authors: Swanepoel, Pieter
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Swanepoel, Pieter
author_browse Swanepoel, Pieter
author_facet Swanepoel, Pieter
collection Thesis
dc_rights_str_mv © 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria
description Dissertation (MA)--University of Pretoria, 2012.
format Thesis
id oai:repository.up.ac.za:2263/27466
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:14.512Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/27466 An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists Swanepoel, Pieter lisagreyvie@yahoo.co.uk Greyvenstein, Lisa Body politics Baroque Abject Minette Vari Spectacle Rose Tracey Post-colonialism Other Neo-baroque New media Nandipha Mntambo Hybird Nicholas Hlobo Leora Faber Excess Eroticism Cultural resistance Contemporary south african art Steven Cohen UCTD Dissertation (MA)--University of Pretoria, 2012. This research investigates the Neo-Baroque aesthetic of excess in contemporary South African art, and explores reasons for the emergence of this style. It investigates artists who use their bodies as a site of resistance, to contest or reconstruct the dominant social values which establish differences between bodies to place them within the marginal position of ‘Other’. This investigation relates to post-colonial concerns. The artists’ exploitation of the Neo-Baroque aesthetic of excess as a comment on social concerns reveals a sense of crisis within South African society, similar to the conditions from which the seventeenth century Baroque style evolved. Neo-Baroque aesthetics of excess manifest in a variety of ways, and are particularly evident when artists transgress social boundaries placed on the body through abject and erotic associations. Excess ultimately arises from complexity, as hybrid art forms are created from the combination of media and content found within the art work. Visual Arts unrestricted 2013-09-07T11:34:20Z 2013-08-27 2013-09-07T11:34:20Z 2013-04-11 2012 2013-08-22 Dissertation Greyvenstein, L 2012, An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists, MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/27466 > E13/4/759/gm http://hdl.handle.net/2263/27466 http://upetd.up.ac.za/thesis/available/etd-08222013-150953/ © 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria application/pdf University of Pretoria
spellingShingle Body politics
Baroque
Abject
Minette
Vari
Spectacle
Rose
Tracey
Post-colonialism
Other
Neo-baroque
New media
Nandipha
Mntambo
Hybird
Nicholas
Hlobo
Leora
Faber
Excess
Eroticism
Cultural resistance
Contemporary south african art
Steven
Cohen
UCTD
An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title_full An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title_fullStr An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title_full_unstemmed An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title_short An investigation of excess as symptomatic of Neo-Baroque identified in the work of selected South African artists
title_sort investigation of excess as symptomatic of neo baroque identified in the work of selected south african artists
topic Body politics
Baroque
Abject
Minette
Vari
Spectacle
Rose
Tracey
Post-colonialism
Other
Neo-baroque
New media
Nandipha
Mntambo
Hybird
Nicholas
Hlobo
Leora
Faber
Excess
Eroticism
Cultural resistance
Contemporary south african art
Steven
Cohen
UCTD
url http://hdl.handle.net/2263/27466
http://upetd.up.ac.za/thesis/available/etd-08222013-150953/