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The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'

Dissertation (MMus)--University of Pretoria, 2010.

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Other Authors: Van der Mescht, Heinrich Hermann
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Van der Mescht, Heinrich Hermann
author_browse Van der Mescht, Heinrich Hermann
author_facet Van der Mescht, Heinrich Hermann
collection Thesis
dc_rights_str_mv © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MMus)--University of Pretoria, 2010.
format Thesis
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institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:41.715Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
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spelling oai:repository.up.ac.za:2263/27712 The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose' Van der Mescht, Heinrich Hermann ammiellb@gmail.com Bushakevitz, Ammiel Issaschar Différance Analysis Deconstruction Alterity The nightingale and the rosse wilde Moment musical in aβ op.94 no.2 d.78 Schubert Redemption Franz schubert Sexuality Oscar wilde Hermeneutics Duplicity Dissidence Différance Deconstruction Analysis Alterity Hermeneutics Duplicity Dissidence Différance Deconstruction Alterity Analysis Hermeneutics Duplicity Dissidence Différance Deconstruction Analysis Alterity Dissidence Duplicity Hermeneutics UCTD Dissertation (MMus)--University of Pretoria, 2010. This study uncovers and interprets the representation of alterity in Schubert’s Moment musical in Aβ, op. 94 no. 2 (1828) and Wilde’s ‘The Nightingale and the Rose’ from The Happy Prince and Other Stories (1888). Furthermore, the study locates and contextually investigates analogies between Schubert’s representation of alterity and Wilde’s. There is a strong likelihood that Schubert was part of a Viennese subculture that was involved in illicit activities and dissident experimentation. Since Maynard Solomon published his essay ‘Franz Schubert and the Peacocks of Benvenuto Cellini’ in 1989, the possibility of Schubert’s homosexuality has received a vast amount of critical attention. Whatever his sexuality, his music has long been seen as containing distinctly feminine traits and subversive elements. Similarly to Schubert, Wilde’s homosexuality and resulting ostracism forms an essential aspect of his life, oeuvre and of subsequent and current Wilde studies. The way in which both Schubert and Wilde’s marginalisation and illicit activities lent a sense of alterity to their works is intriguing. Taking on the loose appearance of deconstructive readings, the analysis of Schubert’s work incorporates musical semiotics, while the analysis of Wilde’s fairy tale builds on ideas raised in the Schubert analysis. The deconstructive readings focus on the binary opposition between the concepts of redemption and defeat as found in Wilde’s fairy tale. The duality between redemption and defeat is shown to have particular resonance with the Romantic image of the artist as messiah and martyr. This study offers the hypothesis that the sense of alterity experienced by Schubert and Wilde is reflected in their works as a longing for the unattainable, a quest for redemption, and that the representation of this alterity is often subversive and dissident. Specific ways in which Schubert and Wilde represent alterity are by refusing climactic moments, by juxtaposing opposites, by symbolising homoeroticism, and by purposefully disobeying stylistic obligations. Copyright Music unrestricted 2013-09-07T12:07:22Z 2010-09-03 2013-09-07T12:07:22Z 2010-04-20 2010-09-03 2010-09-03 Dissertation Bushakevitz, AI 2009, The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose', MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/27712 > F10/557/gm http://hdl.handle.net/2263/27712 http://upetd.up.ac.za/thesis/available/etd-09032010-160102/ © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Différance
Analysis
Deconstruction
Alterity
The nightingale and the rosse wilde
Moment musical in aβ op.94 no.2 d.78
Schubert
Redemption
Franz schubert
Sexuality
Oscar wilde
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Analysis
Alterity
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Alterity
Analysis
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Analysis
Alterity
Dissidence
Duplicity
Hermeneutics
UCTD
The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title_full The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title_fullStr The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title_full_unstemmed The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title_short The representation of alterity : aspects of subjectivity in Schubert's second Moment musical and Wilde's 'The Nightingale and the Rose'
title_sort representation of alterity aspects of subjectivity in schubert s second moment musical and wilde s the nightingale and the rose
topic Différance
Analysis
Deconstruction
Alterity
The nightingale and the rosse wilde
Moment musical in aβ op.94 no.2 d.78
Schubert
Redemption
Franz schubert
Sexuality
Oscar wilde
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Analysis
Alterity
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Alterity
Analysis
Hermeneutics
Duplicity
Dissidence
Différance
Deconstruction
Analysis
Alterity
Dissidence
Duplicity
Hermeneutics
UCTD
url http://hdl.handle.net/2263/27712
http://upetd.up.ac.za/thesis/available/etd-09032010-160102/