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Dissertation (MMus (Performing Art))--University of Pretoria, 2006.
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| Format: | Thesis |
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University of Pretoria
2013
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| _version_ | 1867613636171661312 |
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| access_status_str | Open Access |
| author2 | Hinch, John de Courteille |
| author_browse | Hinch, John de Courteille |
| author_facet | Hinch, John de Courteille |
| collection | Thesis |
| dc_rights_str_mv | © University of Pretor |
| description | Dissertation (MMus (Performing Art))--University of Pretoria, 2006. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/27919 |
| institution | University of Pretoria (South Africa) |
| last_indexed | 2026-06-10T12:39:17.781Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2013 |
| publishDateRange | 2013 |
| publishDateSort | 2013 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/27919 Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective Hinch, John de Courteille gerda.wilcocks@googlemail.com Wilcocks, Gerda Reinette Vibrato Resonance Flute tone Experimentation Interpretation Lip flexibility Intonation Tone colour Embouchure Practice charts UCTD Dissertation (MMus (Performing Art))--University of Pretoria, 2006. An investigation was done on the methods used by performers of classical flute music to improve their flute tone. A literature study was done and a methodology created. This resulted in detailed dissection and then discussion of the various aspects that influence flute tone. Thereafter a series of practice charts were developed, which can be used to guide performers, students and teachers in their experiment to improve and diversify flute tone. The key areas of flute tone that were examined are: embouchure, lip flexibility, vibrato and tone colour. It has been found that different methods work for different people to improve their flute tone, and therefore personal experimentation is necessary in order to achieve the required tone, which also depends on personal taste. Music MMus unrestricted 2013-09-07T12:36:43Z 2007-09-26 2013-09-07T12:36:43Z 2007-09-05 2006 2007-09-13 Dissertation Wilcocks, GR 2006, Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective, MMus Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/27919> Pretoria http://hdl.handle.net/2263/27919 http://upetd.up.ac.za/thesis/available/etd-09132007-163345/ © University of Pretor application/pdf University of Pretoria |
| spellingShingle | Vibrato Resonance Flute tone Experimentation Interpretation Lip flexibility Intonation Tone colour Embouchure Practice charts UCTD Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title | Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title_full | Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title_fullStr | Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title_full_unstemmed | Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title_short | Improving tone production on the flute with regards to embouchure, lip flexibility, vibrato and tone colour, as seen from a classical music perspective |
| title_sort | improving tone production on the flute with regards to embouchure lip flexibility vibrato and tone colour as seen from a classical music perspective |
| topic | Vibrato Resonance Flute tone Experimentation Interpretation Lip flexibility Intonation Tone colour Embouchure Practice charts UCTD |
| url | http://hdl.handle.net/2263/27919 http://upetd.up.ac.za/thesis/available/etd-09132007-163345/ |