Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer

Thesis (PhD)--University of Pretoria, 2011.

Saved in:
Bibliographic Details
Other Authors: Pieterse, Henning Jonathan, 1960-
Format: Thesis
Published: University of Pretoria 2013
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613706387456000
access_status_str Open Access
author2 Pieterse, Henning Jonathan, 1960-
author_browse Pieterse, Henning Jonathan, 1960-
author_facet Pieterse, Henning Jonathan, 1960-
collection Thesis
dc_rights_str_mv © 2011 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (PhD)--University of Pretoria, 2011.
format Thesis
id oai:repository.up.ac.za:2263/29006
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:40:24.731Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/29006 David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer Pieterse, Henning Jonathan, 1960- mmaccani@hotmail.com Maccani, Mario Approach to biographical subject Make-believe Influences Research ethics Bilingualism Conjecturing Propaganda David kramer Writing process Text Biography Novel Subjectivity Objectivity Truth Fact Faction Creative nonfiction Nonfiction Fiction Intertextuality Fictionalisation UCTD Thesis (PhD)--University of Pretoria, 2011. This study is comprised of two parts: an unauthorised biography of the South African musician David Kramer, as well as a reflective look at the process of writing this biography. In this regard the following aspects were looked at closely: finding an appropriate style, biography versus propaganda, conjecturing, the bilingual nature of the text, problems of research, ethics, influences, make-believe, approach to the subject, intertextuality, and fictionalisation. The central question of the biography is to highlight the success of a fellow Worcester (the author’s hometown) boy. The central research questions of the thesis are the fictionalisation of the nonfiction text, intertextuality, and the question of a text written in both English and Afrikaans. With regard to the aforementioned fictionalisation, a biographical text is classified as “nonfiction”, because it deals with a real person and real events. However, a text such as David Kramer – an unauthorised biography presents an alternative perspective, in that the narrative often moves into fiction, or “creative nonfiction”. Written texts are traditionally divided into two fields: fiction or nonfiction. Nonfiction is deemed to be fact, truth, whereas fiction is the fruit of an author’s imagination. But perhaps the notion of truth versus untruth is too limited, and one should include the words “objectivity” and “subjectivity”. Some texts incorporate both elements, be they newspaper editorials which are mostly opinion, advertisements which are highly subjective, or biographies such as Taraborrelli’s Madonna – An Intimate Biography, which often reads as a novel. This doctoral thesis looks at David Kramer – an unauthorised biography, which is at times “faction”, to illuminate the sections where the text fell somewhere between fiction or nonfiction. In attempting this exercise, intertextuality was useful in two ways. Firstly, to ground the text in a reality the reader could believe, as it brought “real” things to the text, such as song lyrics, photographs, et cetera, all things which brought some credibility to the truth of the text, and secondly to place the events being described in a certain timeframe. The use of English and Afrikaans in the biography was to reflect that Kramer uses both languages in his songs, and furthermore, to give an idea of the South Africa at the time of Kramer’s early success: the divides of English/Afrikaans, white/black, liberal/conservative. Unit for Creative Writing Unrestricted 2013-09-07T14:40:39Z 2011-10-24 2013-09-07T14:40:39Z 2011-09-08 2011-10-24 2011-10-24 Thesis Maccani, M 2011, David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer, PhD thesis, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/29006 > D11/9/254/ag http://hdl.handle.net/2263/29006 http://upetd.up.ac.za/thesis/available/etd-10242011-122443/ © 2011 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Approach to biographical subject
Make-believe
Influences
Research ethics
Bilingualism
Conjecturing
Propaganda
David kramer
Writing process
Text
Biography
Novel
Subjectivity
Objectivity
Truth
Fact
Faction
Creative nonfiction
Nonfiction
Fiction
Intertextuality
Fictionalisation
UCTD
David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title_full David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title_fullStr David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title_full_unstemmed David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title_short David Kramer – an unauthorised biography and creative nonfiction : writing an unauthorised biography of David Kramer
title_sort david kramer an unauthorised biography and creative nonfiction writing an unauthorised biography of david kramer
topic Approach to biographical subject
Make-believe
Influences
Research ethics
Bilingualism
Conjecturing
Propaganda
David kramer
Writing process
Text
Biography
Novel
Subjectivity
Objectivity
Truth
Fact
Faction
Creative nonfiction
Nonfiction
Fiction
Intertextuality
Fictionalisation
UCTD
url http://hdl.handle.net/2263/29006
http://upetd.up.ac.za/thesis/available/etd-10242011-122443/