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Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict

Thesis (DMus)--University of Pretoria, 2005.

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Other Authors: Van Niekerk, Caroline
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Van Niekerk, Caroline
author_browse Van Niekerk, Caroline
author_facet Van Niekerk, Caroline
collection Thesis
dc_rights_str_mv © 2004, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (DMus)--University of Pretoria, 2005.
format Thesis
id oai:repository.up.ac.za:2263/29304
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:38:24.243Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
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source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/29304 Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict Van Niekerk, Caroline upetd@up.ac.za Heneghan, F J Music listening Music performance Philosophy Music curriculum Aesthetics Contextualism Multiculturalis Ireland Music educatio UCTD Thesis (DMus)--University of Pretoria, 2005. ‘The young Irish person has the worst of all European musical “worlds”’. This seminal statement was discovered to be symptomatic of a general malaise. The Music Education National Debate (MEND 1994-1996) was a three-phase response to Deaf Ears?, the report from which the above statement was taken. The eventual aim was to set up a forum for music education which would systematically address the difficulties in Ireland. The scope of MEND was, thus, general, ab initio. Its progress was, however, inhibited by a specific concern, which was fundamental to the whole process of reform. It soon became apparent that consensus on a philosophy of music education to inform evolving strategies would be a sine qua non. Coincidentally, this was a time of debacle in the global field, instanced by the publication of a ‘new’ philosophy of music education (David Elliott’s Music Matters [1995]) which threw down the gauntlet to the undisputed classic - Reimer’s A Philosophy of Music Education [1970/1989]. This challenge amounted to a veritable counterposition and demanded a separate, albeit derivative, study before the MEND Report could be completed. This study was to become the substance of this thesis. The aim of this work is to analyse these polar philosophies with a view to reconciling them. Beginning with some commonly held values about music education, the relevance of American music education practice to a wide range of global systems is suggested. The dominance of a western art (music) mentality is called into question by giving prominence to multiculturalism and popular music. Music Education as Aesthetic Education (Reimer) is compared with the praxial approach (Elliott). They yielded to rationalization, albeit posing residual questions of balance, relevance, and time constraints within the curriculum. The indispensability of performance and listening as a complementary pair is re-established. The ascendancy of artistic criteria in defining the music programme is affirmed. Finally the failure of the universal philosophy hypothesis is redeemed by sketching the compromises necessary to convert it to the adaptability of the contextual idea, leading the study to a conclusion of general, rather than specific, application. Note from the UPeTD Team: The final MEND (The Music Education National Debate) report can be obtained from the Academic Information Service, University of Pretoria, email: upetd@up.ac.za. The report is available as an Adobe Acrobat .pdf document. There are hyperlinks embedded within the document to facilitate internal navigation. The Appendix at the end (which is an index of the MEND debates and presentations) also contains hyperlinks. Music unrestricted 2013-09-07T15:18:31Z 2004-11-08 2013-09-07T15:18:31Z 2004-01-28 2005-11-08 2004-11-08 Thesis Heneghan, F 2004, Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict, DMus thesis, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/29304 > http://hdl.handle.net/2263/29304 http://upetd.up.ac.za/thesis/available/etd-11082004-084013/ © 2004, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Music listening
Music performance
Philosophy
Music curriculum
Aesthetics
Contextualism
Multiculturalis
Ireland
Music educatio
UCTD
Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title_full Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title_fullStr Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title_full_unstemmed Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title_short Ireland's music education national debate: rationalization, reconciliation, contextuality and applicability of global philosopies in conflict
title_sort ireland s music education national debate rationalization reconciliation contextuality and applicability of global philosopies in conflict
topic Music listening
Music performance
Philosophy
Music curriculum
Aesthetics
Contextualism
Multiculturalis
Ireland
Music educatio
UCTD
url http://hdl.handle.net/2263/29304
http://upetd.up.ac.za/thesis/available/etd-11082004-084013/