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Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004

Dissertation (MA (Fine Arts))--University of Pretoria, 2008.

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Other Authors: Dreyer, Elfriede
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Dreyer, Elfriede
author_browse Dreyer, Elfriede
author_facet Dreyer, Elfriede
collection Thesis
dc_rights_str_mv © University of Pretor
description Dissertation (MA (Fine Arts))--University of Pretoria, 2008.
format Thesis
id oai:repository.up.ac.za:2263/29578
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:08.341Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
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source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/29578 Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004 Dreyer, Elfriede upetd@ais.up.ac.za Conradie, Johannes Hendrik Suffering Sublime Existentialism Isolation Kitsch Loss Painting Realism Empathy Emotion Destruction Absence Beauty Death Darkness Avant-garde Transcendence Tenebrism UCTD Dissertation (MA (Fine Arts))--University of Pretoria, 2008. The hypothesis of this dissertation is that contemporary Norwegian painter, Odd Nerdrum (b 1944), uses tenebrism as a mode of beauty and a device to emphasise psychological states of being. Tenebrism is an effective kitsch device to create an impression of realism and so-called truthfulness while pointing to the deepest human sentiments and emotions. I argue that Nerdrum’s tenebrist art questions dark truths about modernity and its effect on the self. The darkness of his tenebrist style amplifies the emotional states of his human characters, and becomes a negative form of transcendence into absence and the power of its nothingness. Nerdrum’s paintings are a visual record of the human capacity to withstand selfdestruction and strive for restoration from the inane. His physical act of painting opens and refines consciousness by slowing down time, for insight and contemplation. Visual Arts MA unrestricted 2013-09-07T15:58:55Z 2008-09-12 2013-09-07T15:58:55Z 2007-04-12 2008-09-12 2007-11-19 Dissertation Conradie, JH 2008, Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004, MA Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/29578> Pretoria http://hdl.handle.net/2263/29578 http://upetd.up.ac.za/thesis/available/etd-11192007-170823/ © University of Pretor application/pdf University of Pretoria
spellingShingle Suffering
Sublime
Existentialism
Isolation
Kitsch
Loss
Painting
Realism
Empathy
Emotion
Destruction
Absence
Beauty
Death
Darkness
Avant-garde
Transcendence
Tenebrism
UCTD
Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title_full Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title_fullStr Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title_full_unstemmed Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title_short Tenebrism in the paiting of Odd Nerdrum from 1983 to 2004
title_sort tenebrism in the paiting of odd nerdrum from 1983 to 2004
topic Suffering
Sublime
Existentialism
Isolation
Kitsch
Loss
Painting
Realism
Empathy
Emotion
Destruction
Absence
Beauty
Death
Darkness
Avant-garde
Transcendence
Tenebrism
UCTD
url http://hdl.handle.net/2263/29578
http://upetd.up.ac.za/thesis/available/etd-11192007-170823/