Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)

Dissertation (MA)--University of Pretoria, 2008.

Saved in:
Bibliographic Details
Other Authors: Mojalefa, M.J. (Mawatle Jeremiah), 1948-
Format: Thesis
Published: University of Pretoria 2013
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613663483920384
access_status_str Open Access
author2 Mojalefa, M.J. (Mawatle Jeremiah), 1948-
author_browse Mojalefa, M.J. (Mawatle Jeremiah), 1948-
author_facet Mojalefa, M.J. (Mawatle Jeremiah), 1948-
collection Thesis
dc_rights_str_mv ©University of Pretoria 2008 E1151/
description Dissertation (MA)--University of Pretoria, 2008.
format Thesis
id oai:repository.up.ac.za:2263/29619
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:43.676Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/29619 Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana) Mojalefa, M.J. (Mawatle Jeremiah), 1948- upetd@up.ac.za Sebate, Baitshebi Irene Tshekatsheko Setswana UCTD Dissertation (MA)--University of Pretoria, 2008. Malope is a prolific Setswana linguist and narrative writer. His works of art are acclaimed by scholars such as Sebate (1992), Mashike (1988) and Shole (1997). Some of the books that appeared from Malope’s pen include Mmualebe (1982), Ithuteng Setswana (1991), Thutamedumopuo ya Setswana (1978) and Matlhoko, Matlhoko (1985). While Malope is acknowledged as a major Setswana novelist, short story writer and linguist, not much research has been carried out on the literary importance of his novel. A major contribution has been made by JWP Mashike (1991) through his excellent study on Malope’s short stories in his Master’s dissertation, Tshekatsheko ya dikgankhutshwe tsa ga RM Malope mo go Mmualebe (1988). Again, no research has been done on milieu in any literary work of Setswana, except for Sebate’s (1995) article: A region down to its dust: an examination of setting in Shole’s short stories. In his article, Sebate (1995) discusses the functionality of setting and action as well as setting and characterization with specific reference to JS Shole’s short stories. He looks at objects and words that provide a bigger picture of space, and at how setting normally portrays the prevailing emotional atmosphere. Although Sebate (1995) investigates setting, his examination is specifically concentrated on short stories. It is on the basis of this gap that the present study saw a dire need for a scientific study of milieu in Matlhoko, Matlhoko. In this dissertation, a critical analysis of milieu is undertaken with reference to Malope’s novel, Matlhoko, Matlhoko. Although Heese and Lawton (1988:139) view milieu as an important background against which the events of the novel occur, this stance is considered too general because its main concern is the background of events and not the milieu of contents and the milieu of plot. Kenny (1966:38) tries to solve this problem when he says: <ul> Setting is the element of fiction which reveals to the reader, the where and the when of events, the point in time and space at which events of the plot occur.</ul> This stance is supported by Mojalefa (1995: 22-45) where, in his investigation into content and plot, he demonstrates the difference between the two concepts. Mojalefa supports this distinction by explaining that the four elements of content - events, characters, time and milieu - differ when analysed from the perspective of the plot, because the content elements change to being symbolic if they are analysed in plot. This is the reason why the confusion or disagreement reigns in the definition of the milieu of content and the milieu of plot. The main aim of this dissertation, therefore, is to investigate the milieu of content and the milieu of plot with the objective of drawing a distinction between the two concepts. An investigation into these concepts is done with reference to Malope’s novel, Matlhoko, Matlhoko. The study follows an adapted narratological model of theorists such as Mojalefa (1995) and Groenewald (1991). In terms of this model, a literary text operates on three levels. These are content level, plot level and style level. The model is used in conjunction with Russian Formalism because it is accepted that narratology owes its origin to the Russian Formalists and that Formalism shares similar ideas regarding the notion that a work of art is arranged according to a specific form. The study considers the title of Matlhoko, Matlhoko as very important with regard to the content and plot levels because it links the events of the content coherently, and determines the relationship that exists between all the events. The study also considers theme as the most important component of plot, for it adds coherence to the events of the novel under investigation. The events in Matlhoko, Matlhoko are arranged and linked by means of specific techniques to highlight the author’s intention. Therefore, this dissertation adopts a method of describing and interpreting how milieu helps in the development of plot. In the process of doing so, the study also draws a distinction between the two concepts, ‘define’ and ‘interpret’ so that they are taken as synonyms. Literary terms are defined and events in the novel are interpreted. This method thus leads to a better understanding of milieu of content and milieu of plot as revealed through Matlhoko, Matlhoko. In order to do justice to a critical analysis of milieu in Malope’s novel, Matlhoko, Matlhoko, it is emphasized that a literary text is important, for it is a work of art. It is also determined that if a work of art is analysed with reference to milieu or two elements of content, namely, characters and events, cognizance should be given to the difference that exists between content milieu and plot milieu. Furthermore, milieu is examined as the time of events and place of events, giving greater understanding of how time and place influence actions of characters and direct the reader’s visual imagination. African Languages unrestricted 2013-09-07T16:07:04Z 2008-12-11 2013-09-07T16:07:04Z 2008-09-05 2008-12-11 2008-11-20 Dissertation 2008 E1151/gm http://hdl.handle.net/2263/29619 http://upetd.up.ac.za/thesis/available/etd-11202008-174609/ ©University of Pretoria 2008 E1151/ application/pdf University of Pretoria
spellingShingle Tshekatsheko
Setswana
UCTD
Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title_full Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title_fullStr Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title_full_unstemmed Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title_short Tshekatsheko ya tikologo mo go Matlhoko, Matlhoko ya ga R.M. Malope (Setswana)
title_sort tshekatsheko ya tikologo mo go matlhoko matlhoko ya ga r m malope setswana
topic Tshekatsheko
Setswana
UCTD
url http://hdl.handle.net/2263/29619
http://upetd.up.ac.za/thesis/available/etd-11202008-174609/