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Kanegelorato Ya Sepedi

Thesis (DLitt (African Languages))--University of Pretoria, 2006.

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Other Authors: Mojalefa, M.J. (Mawatle Jeremiah), 1948-
Format: Thesis
Published: University of Pretoria 2013
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access_status_str Open Access
author2 Mojalefa, M.J. (Mawatle Jeremiah), 1948-
author_browse Mojalefa, M.J. (Mawatle Jeremiah), 1948-
author_facet Mojalefa, M.J. (Mawatle Jeremiah), 1948-
collection Thesis
dc_rights_str_mv © 2006, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (DLitt (African Languages))--University of Pretoria, 2006.
format Thesis
id oai:repository.up.ac.za:2263/30342
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:38:06.885Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/30342 Kanegelorato Ya Sepedi Mojalefa, M.J. (Mawatle Jeremiah), 1948- Groenewald, P.S. (Pieter Schalk) kgeledij@up.ac.za Lebaka, Kgeledi Johanna Love story as ‘serious’ literature True love story Tradition Flat character Round character Moral story Love story Ethos/culture Detective story Light reading matter or reading for relaxation UCTD Thesis (DLitt (African Languages))--University of Pretoria, 2006. In this thesis, an attempt is made to divide the Sepedi love story as 'light' reading matter into different subgenres. In order to do this, a distinction has to be made between 'light' and 'serious' reading matter. In short, this distinction amounts to the following: -- The love story as 'light' reading matter deals with problems of love that are resolved and the story ends on a happy mate. The conflict is between 'good' and 'bad' and the characters are portrayed accordingly and are hence flat characters. There is more emphasis on action than on characterisation. Suspense is built up by a series of problems that prevent the lovers from meeting each other. The problems are gradually resolved and the story has a happy ending. -- The love story as 'serious' reading literature emphasises problems in life rather than problems of love. The characters are portrayed fully in their exposure to the storm and stress of life. The love affair being depicted is headed for disappointment, and the ending is often tragic. In Sepedi literature, the love story as 'light' reading matter (or entertainment literature) is divided into five subgenres, i.e. the love story as (a) a moral story, (b) a subdivision of the detective story, the romantic mystery of Ramsdell (1999), (c) the ethnic or multicultural romantic story, (d) the historical love story, and (e) the true love story. In the love story as a moral story, there is a strong focus on the loyalty of the lovers. Where there is infidelity, the good relationship can only be restored if the guilty one received his punishment. Example of this are Noto-ya-Masogana (Tsebe, 1954), Morweši (Motuku, 1969), Tshehlana ya ka (Bosoma, 1990) and Sesasedi sa katlego (Kekana, 1990). In the love story as a subdivision of the detective story, the intrigue (of love) is used to intensify the secret in the detective story. Kekana's Nonyana ya Tokologo (1985) and Nnete Fela (1989) are two suitable examples in which the attitude of the heroine prevents a quick unravelling of the problem. In the ethnic or multicultural love story, the happy ending is delayed by the fact that the lovers do not belong to the same ethnic or cultural group and because the love affair is under social and cultural pressure. Megokgo ya Lethabo (1992) is an example of such a story in which the lovers are a Mopedi and a Motsonga respectively, and the young man's family was not at all in favour of the relationship. In the historical love affair, the conflict in the story is intensified by the difference between the traditional and the present-day outlook on life. This subgenre differs from the previous one in that the conflict originates within the same ethnic or cultural group and in that it is the result of the changes that have, amongst other things, been brought about by urbanisation. An example of this subgenre is Rafapa' s Leratosello (1978). The true love story shares many of its characteristics with the love story as a moral story, as the conflict is also between 'good' and 'bad' characters. In this subgenre there is, however, no place for peace; the 'good' is not used to emphasise the moral. Examples of this are Leratorato (Motuku, 1977), Lerato (Ramokgopa, 1978) and Le Lerato (Moloisie, 1986). African Languages unrestricted 2013-09-07T18:50:04Z 2006-12-13 2013-09-07T18:50:04Z 2006-09-05 2006-12-13 2006-12-13 Thesis Lebaka, K 2006, Kanegelorato Ya Sepedi, DLitt thesis, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/30342 > http://hdl.handle.net/2263/30342 http://upetd.up.ac.za/thesis/available/etd-12132006-164750/ © 2006, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Love story as ‘serious’ literature
True love story
Tradition
Flat character
Round character
Moral story
Love story
Ethos/culture
Detective story
Light reading matter or reading for relaxation
UCTD
Kanegelorato Ya Sepedi
title Kanegelorato Ya Sepedi
title_full Kanegelorato Ya Sepedi
title_fullStr Kanegelorato Ya Sepedi
title_full_unstemmed Kanegelorato Ya Sepedi
title_short Kanegelorato Ya Sepedi
title_sort kanegelorato ya sepedi
topic Love story as ‘serious’ literature
True love story
Tradition
Flat character
Round character
Moral story
Love story
Ethos/culture
Detective story
Light reading matter or reading for relaxation
UCTD
url http://hdl.handle.net/2263/30342
http://upetd.up.ac.za/thesis/available/etd-12132006-164750/