Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Territory

Dissertation MArch(Prof)--University of Pretoria, 2014

Saved in:
Bibliographic Details
Other Authors: Barker, A.A.J. (Arthur Adrian Johnson)
Format: Thesis
Language:English
Published: University of Pretoria 2013
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613674421616640
access_status_str Open Access
author2 Barker, A.A.J. (Arthur Adrian Johnson)
author_browse Barker, A.A.J. (Arthur Adrian Johnson)
author_facet Barker, A.A.J. (Arthur Adrian Johnson)
collection Thesis
dc_rights_str_mv © 2014 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation MArch(Prof)--University of Pretoria, 2014
format Thesis
id oai:repository.up.ac.za:2263/32764
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:39:54.193Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/32764 Territory Barker, A.A.J. (Arthur Adrian Johnson) Van Rensburg, Rudolf Johannes Steyn, Allan Hendri Edward Marabastad Territory Urban Music Adaptable UCTD F14/4/524/gm Dissertation MArch(Prof)--University of Pretoria, 2014 Marabastad has a history characterized by strife and turmoil on one end and jubilation and decadence on the other. To preserve sanity within these hardships, residents often turn towards music as a socioeconomic emollient to relieve the burdens of everyday life. As a result music (specifically jazz) has embedded itself into the historical narrative of Marabastad and its people. Today, the area is no longer comprised of a homogenous demographic; it is home to a diverse populace of a multi-national origin. What once was a precinct characterized by its strong association with the “timiti” and “Marabi” cultures, it is now composed of a plethora of varying cultures, and as a result - musical genres. This study seeks to identify the historical importance of music within Marabastad, through identifying varying “territories” of the environment which are utilized as a means of promoting music within the region. Once these have been identified, the application of these territories and their associated principles within a built form is intended to provide a social platform for music to be enjoyed, while allowing for the cross-pollination of the varying musical genres which exist within the precinct. Architecture MArch(Prof) Unrestricted 2013-12-10T08:38:41Z 2013-12-10T08:38:41Z 2014 2013 Dissertation Steyn, AHE 2013, Territory, MArch(Prof) Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/32764> http://hdl.handle.net/2263/32764 en © 2014 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Marabastad
Territory
Urban
Music
Adaptable
UCTD
F14/4/524/gm
Territory
title Territory
title_full Territory
title_fullStr Territory
title_full_unstemmed Territory
title_short Territory
title_sort territory
topic Marabastad
Territory
Urban
Music
Adaptable
UCTD
F14/4/524/gm
url http://hdl.handle.net/2263/32764