Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter

Dissertation (MA)--University of Pretoria, 2013.

Saved in:
Bibliographic Details
Other Authors: Brown, Molly
Format: Thesis
Language:English
Published: University of Pretoria 2014
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613566124687360
access_status_str Open Access
author2 Brown, Molly
author_browse Brown, Molly
author_facet Brown, Molly
collection Thesis
dc_rights_str_mv © 2013 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MA)--University of Pretoria, 2013.
format Thesis
id oai:repository.up.ac.za:2263/33362
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:38:10.802Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/33362 Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter Brown, Molly Joubert, Michelle Anne Children’s literature Terry Pratchett Johnny Maxwell Identity formation Primary World Secondary World Comedy Satire War Distancing Fantasy UCTD Dissertation (MA)--University of Pretoria, 2013. The aim of this dissertation was to critically analyse Terry Pratchett’s Johnny Maxwell trilogy in terms of three areas, namely Pratchett’s use of various fantasy techniques; how comedy and satire function as distancing mechanisms; and how fantasy and comedy function in accordance with Erikson’s and Bettelheim’s theories concerning identity formation in adolescent and child readers. The primary aim of this dissertation was therefore to provide a literary reading of Pratchett’s trilogy, Only You Can Save Mankind (1992), Johnny and the Dead (1993) and Johnny and the Bomb (1996). However, it also acknowledges the possible didactic and developmental benefits of the books. The trilogy is entertaining, exciting, witty and child-friendly (Baldry cited in Butler, James and Mendlesohn, 2004:41), but it is also clear that Pratchett endeavours to challenge his child readers by presenting everyday situations from foreign and unusual perspectives. This dissertation argues that, as Baldry states, Pratchett ‘expands the thinking of his young readers with new ideas or unconventional ways of looking at familiar ideas’ which will ultimately help them consider their own lives in alternative and perhaps even more meaningful ways (quoted in Butler, James and Mendlesohn, 2004:41). The idea of ‘distancing techniques’ is vital for this study, because it proposes that readers can be transported from their Primary Realities (in which they live and function on a daily basis) into Secondary Realities or worlds which are unlike the Primary Reality in form and composition, but not unlike them in the way they function. Once this removal has taken place, bibliotherapists argue that readers are able to look back upon their primary world with new insight into their sense of industry and identity and also into the way their primary reality functions and the way they function within it. J.R.R. Tolkien (1985:35) explains that ‘…fact becomes that which is manipulated by the fantasy writer to produce a keener perception of the primary world and a greater ability to survive in it’. Owing to Pratchett’s specific comic brand of fantasy, a discussion of his comic and satiric techniques is also presented. Part of this discussion again concentrates on the ability of comedy to act as a distancing mechanism, while another discusses how Pratchett uses comedy to satirise certain aspects of society. As Bergson (1911:17) states in his book, Laughter: An Essay on the Meaning of the Comic, laughter is a way of ‘correcting men’s manners’. Pratchett thus makes use of various comic techniques to mock and ridicule certain features of society, such as its obsession with television, its materialism, or its obsession with computer games. This research is important as the fantasy genre is often considered to be mere popular fiction, to which parents and school teachers are frequently averse. However, with the increase in sales of fantasy works over the past decade, especially in adolescent and children’s fantasy, study of the genre and its possible influence on readers is becoming increasingly necessary. This dissertation undertakes to show that fantasy works can be both complex and satisfying literary works while they also have a positive influence on child readers. gm2014 English unrestricted 2014-02-11T05:13:45Z 2014-02-11T05:13:45Z 2013-09-05 2013 Dissertation Joubert, MA 2013, Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter, MA dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/33362> E13/9/1064/gm http://hdl.handle.net/2263/33362 en © 2013 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Children’s literature
Terry Pratchett
Johnny Maxwell
Identity formation
Primary World
Secondary World
Comedy
Satire
War
Distancing
Fantasy
UCTD
Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title_full Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title_fullStr Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title_full_unstemmed Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title_short Terry Pratchett and the Johnny Maxwell Trilogy : death, war and laughter
title_sort terry pratchett and the johnny maxwell trilogy death war and laughter
topic Children’s literature
Terry Pratchett
Johnny Maxwell
Identity formation
Primary World
Secondary World
Comedy
Satire
War
Distancing
Fantasy
UCTD
url http://hdl.handle.net/2263/33362