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Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship

Thesis (PhD)--University of Pretoria, 2013.

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Other Authors: Vos, Cas
Format: Thesis
Language:English
Published: University of Pretoria 2014
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access_status_str Open Access
author2 Vos, Cas
author_browse Vos, Cas
author_facet Vos, Cas
collection Thesis
dc_rights_str_mv © 2013 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (PhD)--University of Pretoria, 2013.
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institution University of Pretoria (South Africa)
language English
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license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2014
publishDateRange 2014
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publisher University of Pretoria
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spelling oai:repository.up.ac.za:2263/40212 Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship Vos, Cas getrud.tonsing@googlemail.com Wepener, Cas, 1972- Tonsing, Johanna Gertrud Christian songs Hymns Hymnology Praise and Worship music Worship wars Luther and music Criteria Quality Balance Emotion in music UCTD Thesis (PhD)--University of Pretoria, 2013. This thesis tries to answer the question what Christians should be singing in worship and why. The situation in many congregations is one of conflict around music and worship styles. The question is how these can be bridged and how worship leaders can be guided to make responsible choices about what is sung in Sunday worship. It is argued that what is sung, strongly influences the theology and faith of congregants. The thesis locates the discipline of hymnology within a hermeneutical approach to practical theology and tries to develop a theory to answer the question how to determine quality in Christian songs. The current discussions in practical theology and hermeneutics are examined for their relevance to hymnology, particularly some of the insights of Habermas, Gadamer and Ricoeur. Here particularly the idea of “dialogue” and “fusion of horizons” becomes relevant for bridging the divides in the conflicts around worship music. The dissertation examines biblical and church historical answers to the question of whether and what Christians should be singing. It becomes clear that the answers have varied widely during the course of church history, sometimes swinging between extremes. The next chapter looks at songs in the context of the worship service, their function within various parts of the service, and particularly looks at the dialectical poles of worship which should be kept in balance. Musical perspectives are discussed looking at ways to help people not formally trained in music to evaluate tunes. This theoretical section leads to a catalogue of criteria for “Good songs”: These are criteria for quality, for “Good Text”, such as biblical and theological value, how easily it is understood, whether it takes human experience seriously and its poetic value. Criteria for “Good Tune” include its level of difficulty, how heavily it depends on accompaniment, and its balance between the familiar and the interesting and new. The third category of criteria evaluate the match between text and tune in mood, rhythm and climax. The last category looks at the balance in the song between different polarities, such as, amongst others, the balance of past and present, cognitive and emotive elements, between challenge and affirmation, and between universal and particular emphases. This list of criteria is then tested on three songs each of four different songwriters: two traditional and two contemporary: Paul Gerhardt, Charles Wesley, Graham Kendrick and Noel Richards. In each case a background is given, an overview of their work as a whole and a detailed analysis of each song. In the end the criteria themselves are evaluated as to their usefulness and user-friendliness. Suggestions are then made how these criteria can guide worship leaders in their choices of songs for the Sunday service. gm2014 Practical Theology unrestricted 2014-06-17T13:01:38Z 2014-06-17T13:01:38Z 2014-04-25 2013 Thesis Tonsing, JG 2013, Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship, PhD thesis, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/40212> D14/4/35/gm http://hdl.handle.net/2263/40212 en © 2013 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Christian songs
Hymns
Hymnology
Praise and Worship music
Worship wars Luther and music
Criteria
Quality
Balance
Emotion in music
UCTD
Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title_full Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title_fullStr Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title_full_unstemmed Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title_short Searching for the "Good Song" - Determining the quality of Christian songs within the polarities of worship
title_sort searching for the good song determining the quality of christian songs within the polarities of worship
topic Christian songs
Hymns
Hymnology
Praise and Worship music
Worship wars Luther and music
Criteria
Quality
Balance
Emotion in music
UCTD
url http://hdl.handle.net/2263/40212