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'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30

Dissertation (MMus)--University of Pretoria, 2015.

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Other Authors: Stanford, H.J.
Format: Thesis
Language:English
Published: University of Pretoria 2015
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access_status_str Open Access
author2 Stanford, H.J.
author_browse Stanford, H.J.
author_facet Stanford, H.J.
collection Thesis
dc_rights_str_mv © 2015 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MMus)--University of Pretoria, 2015.
format Thesis
id oai:repository.up.ac.za:2263/50818
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:39:59.298Z
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provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher University of Pretoria
publisherStr University of Pretoria
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source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/50818 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30 Stanford, H.J. eedenaj@gmail.com Van Eeden, Abraham Johannes UCTD Rachmaninoff Sonata Structure Piano Concerto Rhythmic formulas Minor second interval Pedal points Sonate Struktuur Klavierkonsert Ritmiese progressie Mineur sekunde-interval Pedaalpunt Harmoniese progressive Harmoniese sametrekking Riemise verlenging Riemise verlenging Harmoniese verlenging Motief Begeleidingsfiguur Kontrapunt Mudulasie Brugpassasie Music theses SDG-04 SDG-04: Quality education Music theses SDG-09 SDG-09: Industry, innovation and infrastructure Music theses SDG-11 SDG-11: Sustainable cities and communities Dissertation (MMus)--University of Pretoria, 2015. This dissertation examines the similarities between Sergei Rachmaninoff’s Sonata nr. 1 in D minor, op. 28 and his Piano Concerto nr. 3 in D minor, op. 30. While studying the Sonata a considerable amount of similarities between the two works were noticed. Also noted was the short time period in-between the completion of these works, making this an interesting topic for discussion. Numerous sources on analysis were read, in order to find the most appropriate method of analysis. The most appropriate method of analysis was to dissect the movements of each work into smaller segments, comparing the contents of each segment. Structure, transitional passages, character of different subjects, developmental sections and the order in which these sections occur, pedal points, sequences, climaxes, melodic lines and contours, rhythmic formulas and intervals were compared. Comparisons show that the Concerto was definitely influenced by the Sonata. Rachmaninoff expands on, and deviates from the sonata form in similar ways. There is also identical use of the minor second interval in both works. The motivation for this study is to examine Rachmaninoff’s unconscious actions in writing the Concerto. These unconscious actions come from ideas developed while composing the Sonata. tm2015 ae2025 Music MMus Unrestricted SDG-04: Quality education SDG-09: Industry, innovation and infrastructure SDG-11: Sustainable cities and communities 2015-11-25T09:53:46Z 2015-11-25T09:53:46Z 2015/09/01 2015 Dissertation Van Eeden, AJ 2015, 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30, MMus Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/50818> S2015 http://hdl.handle.net/2263/50818 en © 2015 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Rachmaninoff
Sonata
Structure
Piano Concerto
Rhythmic formulas
Minor second interval
Pedal points
Sonate
Struktuur
Klavierkonsert
Ritmiese progressie
Mineur sekunde-interval
Pedaalpunt
Harmoniese progressive
Harmoniese sametrekking
Riemise verlenging
Riemise verlenging
Harmoniese verlenging
Motief
Begeleidingsfiguur
Kontrapunt
Mudulasie
Brugpassasie
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-09
SDG-09: Industry, innovation and infrastructure
Music theses SDG-11
SDG-11: Sustainable cities and communities
'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title_full 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title_fullStr 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title_full_unstemmed 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title_short 'n Kritiese bespreking van die ooreenkomste tussen Sergei Rachmaninoff se op. 28 en op. 30
title_sort n kritiese bespreking van die ooreenkomste tussen sergei rachmaninoff se op 28 en op 30
topic UCTD
Rachmaninoff
Sonata
Structure
Piano Concerto
Rhythmic formulas
Minor second interval
Pedal points
Sonate
Struktuur
Klavierkonsert
Ritmiese progressie
Mineur sekunde-interval
Pedaalpunt
Harmoniese progressive
Harmoniese sametrekking
Riemise verlenging
Riemise verlenging
Harmoniese verlenging
Motief
Begeleidingsfiguur
Kontrapunt
Mudulasie
Brugpassasie
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-09
SDG-09: Industry, innovation and infrastructure
Music theses SDG-11
SDG-11: Sustainable cities and communities
url http://hdl.handle.net/2263/50818