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Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum

Dissertation (MA)--University of Pretoria, 1971.

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Other Authors: Van Alphen, G.
Format: Thesis
Language:Afrikaans
Published: University of Pretoria 2017
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access_status_str Open Access
author2 Van Alphen, G.
author_browse Van Alphen, G.
author_facet Van Alphen, G.
collection Thesis
dc_rights_str_mv © 2016 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MA)--University of Pretoria, 1971.
format Thesis
id oai:repository.up.ac.za:2263/59053
institution University of Pretoria (South Africa)
language Afrikaans
last_indexed 2026-06-10T12:37:35.225Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2017
publishDateRange 2017
publishDateSort 2017
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/59053 Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum Van Alphen, G. Marais, Maria Magdalena UCTD Dissertation (MA)--University of Pretoria, 1971. In hierdie Verhandeling kom die agt Nederlandse 17e eeuse portrette, aanwesig in die Johannesburgse Kunsmuseum onder bespreking, waarvan vier uitvoerig, naamlik: Cornelis van der Voort (?) a) “Portret van ‘n dame” en b) “Portret van ‘n heer” kom oorspronklik uit die versameling van Laura Beit van Hamburg wat die skilderye aan die Johannesburgse Kunsmuseum bemaak het uit haar boedel in 1919. Hierdie portrette is beskryf as die portrette van Dirck Alewijn en Maria Schuurman deur Prof. Bax en deur hom as identies beskou met die portrette deur Jonkvrouwe C.H. de Jonge genoem. Hierdie identifikasie word egter om verskillende redes deur my verwerp. Met die skenking van die skilderye aan die Museum was die portrette toegeskryf aan Paulus Moreelse. Die verandering na Cornelis van der Voort het waarskynlik gekom via Prof. Bax se publikasie in 1952. Beide kunstenaars, Moreelse en Van der Voort as moontlike skilders van die portrette is vir my onannneemlik, maar wat wel vir my moontlik gelyk het, is ‘n toeskrywing aan ‘n onbekende Suid-Nederlandse kunstenaar. In this thesis the eight 17th Century Dutch portraits, exhibited in the Johannesburg Art Gallery, come under discussion of which four are in detail viz.: Cornelis van der Voort (?) a) “portrait of a lady” and b) “Portrait of a gentleman” came from the collection of Laura Beit of Hamburg. She bequeathed the paintings to the Johannesburg Art Gallery in 1919. These portraits were described by Prof. Bax as those of Dirck Alewijn and Maria Schuurman and are regarded by him as the same portraits mentioned by Jonkvrouwe C.H. de Jonge. But for various reasons I disagree with this identification of the portraits. When the paintings were donated to the Museum they were attributed to Paulus Moreelse. The subsequent change favouring Cornelis van der Voort apparently came as a result of Prof. Bax's publication of 1952. I regard it as unacceptable that either of the painters, Moreelse or Van der Voort, could be responsible for the portraits. What does seem possible to me is to attribute the portraits to a completely unknown artist from the Spanish Netherlands. Visual Arts MA Unrestricted 2017-02-15T08:49:30Z 2017-02-15T08:49:30Z 1971 1971 Dissertation Marais, MM 1971, Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum, MA Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59053> http://hdl.handle.net/2263/59053 Afrikaans © 2016 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title_full Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title_fullStr Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title_full_unstemmed Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title_short Die Nederlandse sewentiende eeuse portrette in die Johannesburgse kunsmuseum
title_sort die nederlandse sewentiende eeuse portrette in die johannesburgse kunsmuseum
topic UCTD
url http://hdl.handle.net/2263/59053