Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
Diploma (Arts)--University of Pretoria, 1982.
| Other Authors: | |
|---|---|
| Format: | Thesis |
| Language: | English |
| Published: |
University of Pretoria
2017
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
| _version_ | 1867613546443964416 |
|---|---|
| access_status_str | Open Access |
| author2 | Pretorius, J.C. |
| author_browse | Pretorius, J.C. |
| author_facet | Pretorius, J.C. |
| collection | Thesis |
| dc_rights_str_mv | © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Diploma (Arts)--University of Pretoria, 1982. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/59333 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:37:51.914Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/59333 Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope Pretorius, J.C. Joubert, Jeanne UCTD Diploma (Arts)--University of Pretoria, 1982. The aim of this study is to examine musical life in the seventeenth and eighteenth centuries as depicted by pictorial art. I shall attempt to pick up the thread in the Netherlands and France, and then to trace its influence on the contemporary society at the Cape. I shall concentrate on the Netherlands and France because they were two countries which greatly influenced the new community at the Cape. Visual Arts Dipl. Arts Unrestricted 2017-03-09T06:08:32Z 2017-03-09T06:08:32Z 1982 1982 Dissertation Joubert, J 1982, Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope, Dipl. Arts Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59333> http://hdl.handle.net/2263/59333 en © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title_full | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title_fullStr | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title_full_unstemmed | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title_short | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope |
| title_sort | musical iconography of the seventeenth and eighteenth centuries of the netherlands and france and its significance for the cape of good hope |
| topic | UCTD |
| url | http://hdl.handle.net/2263/59333 |