Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope

Diploma (Arts)--University of Pretoria, 1982.

Saved in:
Bibliographic Details
Other Authors: Pretorius, J.C.
Format: Thesis
Language:English
Published: University of Pretoria 2017
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613546443964416
access_status_str Open Access
author2 Pretorius, J.C.
author_browse Pretorius, J.C.
author_facet Pretorius, J.C.
collection Thesis
dc_rights_str_mv © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Diploma (Arts)--University of Pretoria, 1982.
format Thesis
id oai:repository.up.ac.za:2263/59333
institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:37:51.914Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2017
publishDateRange 2017
publishDateSort 2017
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/59333 Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope Pretorius, J.C. Joubert, Jeanne UCTD Diploma (Arts)--University of Pretoria, 1982. The aim of this study is to examine musical life in the seventeenth and eighteenth centuries as depicted by pictorial art. I shall attempt to pick up the thread in the Netherlands and France, and then to trace its influence on the contemporary society at the Cape. I shall concentrate on the Netherlands and France because they were two countries which greatly influenced the new community at the Cape. Visual Arts Dipl. Arts Unrestricted 2017-03-09T06:08:32Z 2017-03-09T06:08:32Z 1982 1982 Dissertation Joubert, J 1982, Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope, Dipl. Arts Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59333> http://hdl.handle.net/2263/59333 en © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title_full Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title_fullStr Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title_full_unstemmed Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title_short Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
title_sort musical iconography of the seventeenth and eighteenth centuries of the netherlands and france and its significance for the cape of good hope
topic UCTD
url http://hdl.handle.net/2263/59333