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Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities
Dissertation (MA)--University of Pretoria, 2017.
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| Format: | Thesis |
| Language: | English |
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University of Pretoria
2017
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| _version_ | 1867613636833312768 |
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| access_status_str | Open Access |
| author2 | Sooful, Avi |
| author_browse | Sooful, Avi |
| author_facet | Sooful, Avi |
| collection | Thesis |
| dc_rights_str_mv | © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Dissertation (MA)--University of Pretoria, 2017. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/62658 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:39:18.126Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/62658 Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities Sooful, Avi fsstudio@mweb.co.za Stroud, Zelda UCTD Contemporary South African sculpture Sculpture practice Artistic labour Handcrafted sculpture Material engagement Making process Studio practice Humanities theses SDG-04 Humanities theses SDG-05 Humanities theses SDG-09 Humanities theses SDG-11 Dissertation (MA)--University of Pretoria, 2017. This research stems from the view that although the twenty-first century has witnessed a return to the skilfully crafted art object, many of these artworks are not made by the artists, but produced instead by fabricators and assistants according to the specifications of the artists. Some of these artists lack the relevant skills to produce any material portion of their artworks and, in addition, may have no interest in developing those particular skills, instead relying solely on the craftsmanship of others. I contend, in this study, that many valuable benefits, inherent in an artist's personal engagement with the material, are lost to the artist and the artwork, as well as to the viewer of the artwork, when the artwork is outsourced and produced by others. My research, via questionnaires and an interpretative analysis of critical theory, argues that the act of personally making one's own work provides a number of psychological rewards to the artist, in addition to other advantages such as the development of a laboriously achieved signature style, enhanced creativity and the opportunity to exploit serendipity. Supplementary to this, four South African sculptors, who conceive of and make their own work, have provided their individual insights into the experience and value of personal art-making. My individual experience, as a sculptor of both personal and commissioned works, forms a significant aspect of the study due to my familiarity with the 'hands-on' experience of making, the need to outsource larger work, and in addition, deadlines which require the type of digital assistance which, arguably, creates a further loss of connection between the artist and the artwork. An examination of the perceived value of skills in general, and skilled art-making in particular, contributes to my research's call for a return to the employment of both the artist's head and hand in the creation of art in general, and sculpture in particular. This research contributes to an existing body of knowledge that argues for a return to skill and a renewed appreciation of the value inherent in material contact with the artwork, in order to reduce the current tendency towards a disconnect between the artist and their work. ae2026 Visual Arts MA Unrestricted SDG-04: Quality education SDG-05: Gender equality SDG-09: Industry, innovation and infrastructure SDG-11: Sustainable cities and communities 2017-10-11T11:55:50Z 2017-10-11T11:55:50Z 2017-09-06 2017 Dissertation Stroud, Z 2017, Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities, MA Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/62658> S2017 http://hdl.handle.net/2263/62658 en © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD Contemporary South African sculpture Sculpture practice Artistic labour Handcrafted sculpture Material engagement Making process Studio practice Humanities theses SDG-04 Humanities theses SDG-05 Humanities theses SDG-09 Humanities theses SDG-11 Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title | Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title_full | Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title_fullStr | Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title_full_unstemmed | Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title_short | Making matters : the hand of the artist in contemporary South African sculpture / Creative work: Vanities |
| title_sort | making matters the hand of the artist in contemporary south african sculpture creative work vanities |
| topic | UCTD Contemporary South African sculpture Sculpture practice Artistic labour Handcrafted sculpture Material engagement Making process Studio practice Humanities theses SDG-04 Humanities theses SDG-05 Humanities theses SDG-09 Humanities theses SDG-11 |
| url | http://hdl.handle.net/2263/62658 |