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Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016)
In 1957, South African born Ernst de Jong returned to Pretoria, South Africa, after studying painting and information design at the University of Oklahoma in the USA. De Jong and his American wife, Gwen Drennan, immediately set about opening a graphic design studio that profited from de Jong’s trans...
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| Format: | Thesis |
| Language: | English |
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University of Pretoria
2018
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| _version_ | 1867613463993384960 |
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| access_status_str | Open Access |
| author2 | Van Eeden, Jeanne |
| author_browse | Van Eeden, Jeanne |
| author_facet | Van Eeden, Jeanne |
| collection | Thesis |
| dc_rights_str_mv | © 2018 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | In 1957, South African born Ernst de Jong returned to Pretoria, South Africa, after studying painting and information design at the University of Oklahoma in the USA. De Jong and his American wife, Gwen Drennan, immediately set about opening a graphic design studio that profited from de Jong’s transformative experiences in Oklahoma and established itself as a pioneer of identity design in South Africa. The modernising rhetoric of Ernst de Jong Studios (EDJS), and indeed de Jong himself, came to signify the utopian aspirations of a putatively bright, new and modern Republic. As the political and cultural contexts of the country changed, so did the nature and fortunes of EDJS; de Jong closed his design practice in 1994 and then gradually faded from view.
This study is a discursive space, an interrogation of and often personal reflection on the circumstances of de Jong’s life and creative practice, as well as the inventive task of ‘prying open’ the artefacts, events and relationships that informed this practice. I aim to make visible an influential life, but also to question how it was constructed, and then re-presented — both by the participants and myself — for the purposes of this study. Concomitantly, I flesh open the drive, in a post-colonial community, to appropriate modernism in its project of individualisation. Oral history, and in particular ‘life history’, provides the starting point and underlying framework for my narrative that explores design briefs executed for the journal Lantern, the Rand Afrikaans University and the Afrikaanse Taalmonument. Although the three case studies cannot provide a comprehensive account of the vast output of EDJS, they serve to throw light on mainstream graphic design experiences in publication design, university branding and heritage design in the years 1957 to 1975 in South Africa. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/68020 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:36:33.567Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2018 |
| publishDateRange | 2018 |
| publishDateSort | 2018 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/68020 Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) Van Eeden, Jeanne lizeg@uj.ac.za Kriel, Lize Groenewald, Marlize Unrestricted UCTD Graphic design Visual rhetoric Modernism Identity design Heritage design Postcolonial studies South Africa Oral history University branding Publication design Humanities theses SDG-04 Humanities theses SDG-10 Humanities theses SDG-11 In 1957, South African born Ernst de Jong returned to Pretoria, South Africa, after studying painting and information design at the University of Oklahoma in the USA. De Jong and his American wife, Gwen Drennan, immediately set about opening a graphic design studio that profited from de Jong’s transformative experiences in Oklahoma and established itself as a pioneer of identity design in South Africa. The modernising rhetoric of Ernst de Jong Studios (EDJS), and indeed de Jong himself, came to signify the utopian aspirations of a putatively bright, new and modern Republic. As the political and cultural contexts of the country changed, so did the nature and fortunes of EDJS; de Jong closed his design practice in 1994 and then gradually faded from view. This study is a discursive space, an interrogation of and often personal reflection on the circumstances of de Jong’s life and creative practice, as well as the inventive task of ‘prying open’ the artefacts, events and relationships that informed this practice. I aim to make visible an influential life, but also to question how it was constructed, and then re-presented — both by the participants and myself — for the purposes of this study. Concomitantly, I flesh open the drive, in a post-colonial community, to appropriate modernism in its project of individualisation. Oral history, and in particular ‘life history’, provides the starting point and underlying framework for my narrative that explores design briefs executed for the journal Lantern, the Rand Afrikaans University and the Afrikaanse Taalmonument. Although the three case studies cannot provide a comprehensive account of the vast output of EDJS, they serve to throw light on mainstream graphic design experiences in publication design, university branding and heritage design in the years 1957 to 1975 in South Africa. ae2026 Visual Arts PhD Unrestricted SDG-04: Quality education SDG-10: Reduced inequalities SDG-11: Sustainable cities and communities 2018-12-05T08:06:29Z 2018-12-05T08:06:29Z 2009/05/18 2018 Thesis Groenewald, M 2018, Domesticating the modern: An interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016), PhD Thesis, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/68020> S2018 http://hdl.handle.net/2263/68020 en © 2018 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | Unrestricted UCTD Graphic design Visual rhetoric Modernism Identity design Heritage design Postcolonial studies South Africa Oral history University branding Publication design Humanities theses SDG-04 Humanities theses SDG-10 Humanities theses SDG-11 Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title | Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title_full | Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title_fullStr | Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title_full_unstemmed | Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title_short | Domesticating the modern : an interrogation of the visual rhetoric of South African graphic designer Ernst de Jong (1934 - 2016) |
| title_sort | domesticating the modern an interrogation of the visual rhetoric of south african graphic designer ernst de jong 1934 2016 |
| topic | Unrestricted UCTD Graphic design Visual rhetoric Modernism Identity design Heritage design Postcolonial studies South Africa Oral history University branding Publication design Humanities theses SDG-04 Humanities theses SDG-10 Humanities theses SDG-11 |
| url | http://hdl.handle.net/2263/68020 |