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A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson

Dissertation (MMus)--University of Pretoria, 2019.

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Other Authors: Johnson, Alexander F.
Format: Thesis
Language:English
Published: University of Pretoria 2020
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access_status_str Open Access
author2 Johnson, Alexander F.
author_browse Johnson, Alexander F.
author_facet Johnson, Alexander F.
collection Thesis
dc_rights_str_mv © 2020 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MMus)--University of Pretoria, 2019.
format Thesis
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institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:37:14.131Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2020
publishDateRange 2020
publishDateSort 2020
publisher University of Pretoria
publisherStr University of Pretoria
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source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/76860 A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson Johnson, Alexander F. u13046285@tuks.co.za Ibiayo, Oluwakayode Samson UCTD Alexander Frederick Johnson Idiomatic writing Kahlolo, Let_at_i, and Vocalise Africa Organ and piano music Piano accompaniment in vocal music African music Musical style analysis African choral music Cultural expression in music Music theses SDG-04 SDG-04: Quality education Music theses SDG-10 SDG-10: Reduced inequalities Music theses SDG-11 SDG-11: Sustainable cities and communities Dissertation (MMus)--University of Pretoria, 2019. South African composer, Alexander Johnson is a prolific and outstanding figure among his contemporaries. His numerous works and contributions to South African classical and indigenous music is worthy of mention. Over the years, he has been recognised both locally and internationally for his contributions by receiving numerous awards, honorary positions, as well as commissions. His works have been performed both locally and internationally. Johnson’s compositional style mostly features diverse musical elements and devices from the post-tonal era. He also utilises special and unique compositional techniques in his works which give him a ‘signature.’ This study discusses and disseminates brief information on Johnson’s biography, as well as a catalogue of the composer’s published works. Most importantly, the three works in this study namely Kahlolo, Let_at_i, and Vocalise Africa feature Johnson’s unique interpretation of South African music in the twenty-first century. This study focuses on exploring the background of the three chosen works, and the inspiration behind the creation of these works. Furthermore, the compositional techniques employed by the composer, as well as the distinguishing features of his compositional style are also discussed. This study additionally aims to trace and disseminate similarities between the three respective works as well as analyse the three selected pieces with regard to mostly harmonic devices and techniques, melody, rhythm, form structure, texture, and registration for organ music. Each piece is comprehensively discussed separately, with emphasis on the above topics. Further research in the future could entail a study on style discussion of Johnson’s more recent compositions in other genres and instrumentation. ae2025 Music MMus Unrestricted SDG-04: Quality education SDG-10: Reduced inequalities SDG-11: Sustainable cities and communities 2020-11-04T15:10:10Z 2020-11-04T15:10:10Z 20/04/15 2019 Dissertation Ibiayo, OS 2019, A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson, MMus Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/76860> A2020 http://hdl.handle.net/2263/76860 en © 2020 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Alexander Frederick Johnson Idiomatic writing
Kahlolo, Let_at_i, and Vocalise Africa
Organ and piano music
Piano accompaniment in vocal music
African music
Musical style analysis
African choral music
Cultural expression in music
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-10
SDG-10: Reduced inequalities
Music theses SDG-11
SDG-11: Sustainable cities and communities
A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title_full A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title_fullStr A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title_full_unstemmed A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title_short A style discussion of Kahlolo, Let_at_i, and Vocalise Africa by Alexander Frederick Johnson
title_sort style discussion of kahlolo let at i and vocalise africa by alexander frederick johnson
topic UCTD
Alexander Frederick Johnson Idiomatic writing
Kahlolo, Let_at_i, and Vocalise Africa
Organ and piano music
Piano accompaniment in vocal music
African music
Musical style analysis
African choral music
Cultural expression in music
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-10
SDG-10: Reduced inequalities
Music theses SDG-11
SDG-11: Sustainable cities and communities
url http://hdl.handle.net/2263/76860