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Dissertation (MMus (Composition))--University of Pretoria, 2021.
| Other Authors: | |
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| Format: | Thesis |
| Language: | English |
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University of Pretoria
2022
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| _version_ | 1867613609703505920 |
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| access_status_str | Open Access |
| author2 | Van Wyk, Theo |
| author_browse | Van Wyk, Theo |
| author_facet | Van Wyk, Theo |
| collection | Thesis |
| dc_rights_str_mv | © 2019 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Dissertation (MMus (Composition))--University of Pretoria, 2021. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/84755 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:38:52.535Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/84755 Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes Van Wyk, Theo jansenshade@gmail.com Johnson, Alexander Jansen, Shadé UCTD Cape Malay Choir Board Cape Malay Choir Board (CMCB) Conceptual processes Cape Malay culture Dissertation (MMus (Composition))--University of Pretoria, 2021. This research explores the conceptual processes that are being followed by the transcribers and arrangers that are currently active in the Cape Malay Choir Board (CMCB) competitions. There is a dearth of scholarly sources pertaining to the transcriptions and arrangement of the Cape Malay music that are used in the CMCB competitions. In order to create a conceptual framework for this research, the literature review was conducted to understand transcribed and arranged folk music in the global spectrum, as well as the history of Cape Malay and the external influences of the CMCB. The qualitative research was used to collect and analyse data. The qualitative approach was of an intrinsic case study pertaining to findings that were used to answer the research questions. Six participants were selected by the CMCB to answer the semistructured interviews. The participants were selected by virtue of their current involvement in the CMCB competitions. The findings of this research were analysed by using reflexive thematic analysis. The analysed data revealed that the participants have varying levels of musical knowledge and employ different approaches when transcribing and arranging the Cape Malay music for their choirs and musicians. Furthermore, the participants reflected on their methodological approach as to the reasons and motives they subscribe to a particular methodology of transcribing and arranging their music for rehearsal purposes and stage performances. The results of the research indicated that the participants’ conceptual processes are dependent on their music knowledge of the Cape Malay music acquired through familial generational experiences in the CMCB competitions, the oral transfer of Cape Malay musicking, the use of music technology, and lastly, for some participants – their level of formal music grades and/or degrees. University of Pretoria postgraduate bursary Music MMus (Composition) Unrestricted 2022-03-31T13:37:53Z 2022-03-31T13:37:53Z 2022-04 2021-12-10 Dissertation * A2022 http://hdl.handle.net/2263/84755 en © 2019 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD Cape Malay Choir Board Cape Malay Choir Board (CMCB) Conceptual processes Cape Malay culture Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title | Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title_full | Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title_fullStr | Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title_full_unstemmed | Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title_short | Music transcriptions and arrangements of the Cape Malay Choir Board Competition : exploring conceptual processes |
| title_sort | music transcriptions and arrangements of the cape malay choir board competition exploring conceptual processes |
| topic | UCTD Cape Malay Choir Board Cape Malay Choir Board (CMCB) Conceptual processes Cape Malay culture |
| url | http://hdl.handle.net/2263/84755 |