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Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives

Thesis (DMus (Performing Art))--University of Pretoria, 2022.

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Other Authors: Viljoen, Wim
Format: Thesis
Published: University of Pretoria 2022
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access_status_str Open Access
author2 Viljoen, Wim
author_browse Viljoen, Wim
author_facet Viljoen, Wim
collection Thesis
dc_rights_str_mv © 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Thesis (DMus (Performing Art))--University of Pretoria, 2022.
format Thesis
id oai:repository.up.ac.za:2263/86223
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:36:25.392Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/86223 Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives Viljoen, Wim andrea.mitas@up.ac.za Panebianco-Warrens, Clorinda Rosanna Van Wyk, Theo Kayser-Mitas, Andrea Lynne UCTD Humanities Music Conceptual processes Organ concertos South African composers Thesis (DMus (Performing Art))--University of Pretoria, 2022. Little is known about the South African organ concerto and composers of this genre. This research study aimed to explore the contribution of two South African composers to the organ concerto repertoire. A brief overview of the history of organs and organ building in South Africa provide context for the compositions of organ repertoire and demonstrate a link in the development of organ music from chorale-based works to larger scaled compositions. The study includes transcribed conversations with composers Kloppers and Olivier and performers Giesbrecht and Viljoen. The interviews probed the composers’ background, the factors that shaped their composition processes, and the ideas underpinning their organ concertos. Two organ works were focussed on in detail namely, Concerto for Organ, Strings and Timpani, 1991 by Kloppers and Konsert vir orrel en orkes (1985) by Olivier. The thesis includes a brief analytical overview of each work, highlighting several aspects regarding score indications, registration, articulation and instrumentation. Furthermore, semi-structured interviews probing the perspectives of organ performers who have premiered these works provide a rich context to the compositional process and aid in answering the main and sub research questions. The thesis presents a novel glimpse into the unique creative journey of these South African composers, their ideas, and the conception and delivery of their works through the perspectives of the performer. Socio-cultural, historical, as well as formative and individual influences feature as fundamental underpinnings in the identities of the composers of South African organ concertos. A strong relationship between composer and performer is demonstrated as a necessary entity to enable a successful performance of the work. The study concludes that the compositional process of the composers is unique for each composer. Music DMus (Performing Art) Unrestricted 2022-07-15T08:19:37Z 2022-07-15T08:19:37Z 2022-08 2022 Thesis * S2022 https://repository.up.ac.za/handle/2263/86223 © 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Humanities
Music
Conceptual processes
Organ concertos
South African composers
Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title_full Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title_fullStr Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title_full_unstemmed Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title_short Organ concertos by Jacobus Kloppers and Gerrit Olivier : composers' and performers' perspectives
title_sort organ concertos by jacobus kloppers and gerrit olivier composers and performers perspectives
topic UCTD
Humanities
Music
Conceptual processes
Organ concertos
South African composers
url https://repository.up.ac.za/handle/2263/86223