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Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics

Mini Dissertation (MSocSci (Heritage and Cultural Sciences) Heritage Conservation)--University of Pretoria, 2023.

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Other Authors: McGinn, Isabelle
Format: Thesis
Language:English
Published: University of Pretoria 2024
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access_status_str Open Access
author2 McGinn, Isabelle
author_browse McGinn, Isabelle
author_facet McGinn, Isabelle
collection Thesis
dc_rights_str_mv © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Mini Dissertation (MSocSci (Heritage and Cultural Sciences) Heritage Conservation)--University of Pretoria, 2023.
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institution University of Pretoria (South Africa)
language English
last_indexed 2026-06-10T12:40:22.637Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher University of Pretoria
publisherStr University of Pretoria
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spelling oai:repository.up.ac.za:2263/94805 Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics McGinn, Isabelle chelsea12051999@gmail.com Roberts, Chelsea Jane UCTD Hezekiel Ntuli Conservation Unfired Clay South African Ceramics Sustainable Development Goals (SDGs) Mini Dissertation (MSocSci (Heritage and Cultural Sciences) Heritage Conservation)--University of Pretoria, 2023. Hezekiel Ntuli (1912-1973) was a sculptor from KwaZulu Natal, South Africa, renowned for the wide variety of busts he made out of unfired clay (Ubumba Olungashi in Zulu). Many of Ntuli's artworks were sold to the tourist industry; and are therefore mostly found in private collections today. Throughout the years, however, museums have been able to acquire some of Hezekiel Ntuli's works by way of donations or other means, such as purchasing the works. Due to the high demand for Ntuli's work he would produce several copies of a single form and by-pass the firing process. From a conservation point of view, unfired clay is not as stable as fired clay and presents challenges such as powdering, cracking, breaks, flaking, and sensitivity to moisture. The latter results in increased complexity for conservation treatment. Outside of an archaeological context, there is very little information or published research on the conservation of unfired clay. The paucity of current research and publications which discuss Hezekiel Ntuli’s unfired clay sculpture, as well as those of similar artists who created sculptures of a similar type and material, is what has prompted this research. The present research could thus potentially be applied to addressing the conservation needs of a variety of South Africa’s clay sculptors. Tangible Heritage Conservation MSocSci (Heritage and Cultural Sciences) Heritage Conservation (Coursework) Unrestricted Faculty of Humanities 2024-02-21T14:40:47Z 2024-02-21T14:40:47Z 2024-05-07 2023-12-14 Mini Dissertation * A2024 http://hdl.handle.net/2263/94805 DOI: https://doi.org/10.25403/UPresearchdata.25249273.v1 10.25403/UPresearchdata.25249273 en © 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle UCTD
Hezekiel Ntuli
Conservation
Unfired Clay
South African Ceramics
Sustainable Development Goals (SDGs)
Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title_full Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title_fullStr Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title_full_unstemmed Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title_short Ubumba olungashi : a case study of South African artist Hezekiel Ntuli’s unfired ceramics
title_sort ubumba olungashi a case study of south african artist hezekiel ntuli s unfired ceramics
topic UCTD
Hezekiel Ntuli
Conservation
Unfired Clay
South African Ceramics
Sustainable Development Goals (SDGs)
url http://hdl.handle.net/2263/94805