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Meta-tourism, sense of place and the rock art of the Little Karoo

Thesis (DPhil) (Geography and Environmental Studies))--Stellenbosch University, 2008.

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Main Author: Rust, Catharine
Other Authors: Van der Merwe, J. H.
Format: Thesis
Language:English
Published: Stellenbosch : Stellenbosch University 2008
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access_status_str Open Access
author Rust, Catharine
author2 Van der Merwe, J. H.
author_browse Rust, Catharine
Van der Merwe, J. H.
author_facet Van der Merwe, J. H.
Rust, Catharine
author_sort Rust, Catharine
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (DPhil) (Geography and Environmental Studies))--Stellenbosch University, 2008.
format Thesis
id oai:scholar.sun.ac.za:10019.1/1187
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:41:00.939Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2008
publishDateRange 2008
publishDateSort 2008
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/1187 Meta-tourism, sense of place and the rock art of the Little Karoo Rust, Catharine Van der Merwe, J. H. Wurz, S. J. D. Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Geography and Environmental Studies. Rock art Meta-tourism Post-modernism Interpretation centre Dissertations -- Geography and environmental studies Theses -- Geography and environmental studies Thesis (DPhil) (Geography and Environmental Studies))--Stellenbosch University, 2008. The subject is the rock art within the region known as the Little Karoo in the Western Cape that lies between the coastal plain and the Greater Karoo, penned in geographically by the Langeberg in the south and the Swartberg in the north. During a ten year site survey of 150 sites with rock art, content and details of the rock art images have been recorded on site forms and where possible traced on polyester film and photographed. The sites tend to be small with, on average, fewer than 50 images, but then 7 sites have more than 100 images per site. The sites are located mostly in ravines in the mountainous areas. Few sites with rock art have occupation deposits. Human figures in the rock art, predominantly male, are most commonly represented. Other images are animals, such as eland, smaller antelope, elephants, felines, canids and therianthropic figures of half-human, half-animal forms. Finger dots, handprints and geometric or non-representational marks are present in the rock art sample as well. The art can be linked to shamanistic experiences in altered states of consciousness. A number of depictions are interpreted as part of rainmaking ritual and the significance of the symbolism of water. There are resemblances in content and style to the rock art in the Hex River Valley, the Cederberg, and south of the Langeberg, on the coastal plain, but some imagery point to a variation more specific to the Little Karoo. These are rare rock art depictions of a combination of human head and upper torso with ichthyoidal lower limbs, at times reminiscent of bird-like human figures. Verbatim accounts recorded of stories and sightings of numinous watermeide (water maidens) at waterholes and rivers of the Little Karoo and correlations drawn with research on similar folklore in the Northern Cape and elsewhere make a traditional link between these regions. The myth of the watermeide takes on a therianthropic nature in form, that of half-human half-fish, reminiscent of the well-known westernized mystical concept of mermaid features; a description popular in the vernacular. The described form of the watermeid espouses a connection to the uniqueness of the rock paintings of therianthropic figures with distinctive fishtail and human shoulders, head and arms. A connection with explanatory accounts of rock paintings and folklore recorded in the Oudtshoorn district more than a hundred years ago, recorded information of stories and myths of mystical water creatures in the Northern Cape, and verbatim accounts of the watermiede, is made to suggest a basis for interpretation of the therianthropic nature of some of the rock art imagery in the Little Karoo. The rock art is produced in a space and a time frame that may be related to that of the current stories of the watermeide. Doctoral 2008-10-06T08:04:40Z 2010-06-01T08:14:34Z 2008-10-06T08:04:40Z 2010-06-01T08:14:34Z 2008-12 Thesis http://hdl.handle.net/10019.1/1187 en Stellenbosch University application/pdf Stellenbosch : Stellenbosch University
spellingShingle Rock art
Meta-tourism
Post-modernism
Interpretation centre
Dissertations -- Geography and environmental studies
Theses -- Geography and environmental studies
Rust, Catharine
Meta-tourism, sense of place and the rock art of the Little Karoo
title Meta-tourism, sense of place and the rock art of the Little Karoo
title_full Meta-tourism, sense of place and the rock art of the Little Karoo
title_fullStr Meta-tourism, sense of place and the rock art of the Little Karoo
title_full_unstemmed Meta-tourism, sense of place and the rock art of the Little Karoo
title_short Meta-tourism, sense of place and the rock art of the Little Karoo
title_sort meta tourism sense of place and the rock art of the little karoo
topic Rock art
Meta-tourism
Post-modernism
Interpretation centre
Dissertations -- Geography and environmental studies
Theses -- Geography and environmental studies
url http://hdl.handle.net/10019.1/1187
work_keys_str_mv AT rustcatharine metatourismsenseofplaceandtherockartofthelittlekaroo