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Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa

Thesis (MA)--Stellenbosch University, 2024.

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Bibliographic Details
Main Author: Loki, Asivile
Other Authors: Phalafala, Uhuru Portia
Format: Thesis
Language:English
Published: Stellenbosch : Stellenbosch University 2025
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access_status_str Open Access
author Loki, Asivile
author2 Phalafala, Uhuru Portia
author_browse Loki, Asivile
Phalafala, Uhuru Portia
author_facet Phalafala, Uhuru Portia
Loki, Asivile
author_sort Loki, Asivile
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (MA)--Stellenbosch University, 2024.
format Thesis
id oai:scholar.sun.ac.za:10019.1/131805
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:41:18.607Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
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source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/131805 Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa Loki, Asivile Phalafala, Uhuru Portia Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of English. Race relations -- South Africa Black people -- South Africa -- Social conditions -- 21st century. Xenophobia -- South Africa Immigrants -- Violence against UCTD Thesis (MA)--Stellenbosch University, 2024. ENGLISH ABSTRACT: This thesis investigates anti-Black foreigner sentiments as well as the increasingly bloodthirsty violence against African foreign nationals, at the hands of Black South Africans. Using close reading of James Oatway and Alon Skuy’s photographic book, [BR]OTHER (2021) and Phaswane Mpe’s novella, Welcome to Our Hillbrow (1999), this study intends to examine the persistence of afrophobic ideology and motivated behaviour, particularly in underprivileged Black residential spaces that were established under the apartheid regime, as well as the unprosecuted, “inconsequential violence” regularly inflicted upon the bodies of Black foreign nationals in the South African context. In this study, I am particularly interested in the ever-changing perception of African foreign nationals. I interrogate why the image of the Black foreign subject has transitioned from migrant labourer in allegiance with Black South Africans during the mineral revolution. This evolves to African foreign nationals being deemed as foreigners under the apartheid government. Finally, their imposed identity shifts to that of a demonised Other, regarded as a social burden in post-apartheid South Africa. The third text, Red Dust (2000) by Gillian Slovo explores the textures of violence and it serves as an acknowledgement of the nation’s troubled history. I employ it in this study as an important lens that enables an unpacking of the nature of trauma and fear within the Black body and I suggest the several ways in which this deep-seated terror manifests in present day South Africa. In my exploration of afrophobia as another symptom of the afterlives of colonialism, I distinguish xenophobia from afrophobia, arguing that the violence, unlawful raids, police brutality and discrimination has solely targeted African foreign nationals and not white foreigners and this inhumanity is perpetrated by the Black South African populace. Avoiding an over-simplistic causation of afrophobia, the three chapters of this study recognise and build onto existing scholarship on afrophobia that has largely focused on materialist explanations as the driving force of the hatred. I argue that these texts invite us consider notions of South African exceptionalism, the perils of nationalism, the complex nature of trauma under white supremacy as well as the role played by political leaders, the media and the police in perpetuating an afrophobic climate. This study endeavours to convey the limitations of the romanticised postapartheid rhetoric and what I want to suggest is that without eradicating the conditions that characterised the colonial encounter, the not so new South Africa will continue to regurgitate the same anti-Blackness perpetrated under colonial apartheid. AFRIKAANSE OPSOMMING: Geen opsomming beskikbaar. Masters 2025-03-27T12:32:43Z 2025-03-27T12:32:43Z 2024-12 Thesis https://scholar.sun.ac.za/handle/10019.1/131805 en Stellenbosch University v, 110 pages : illustrations application/pdf Stellenbosch : Stellenbosch University
spellingShingle Race relations -- South Africa
Black people -- South Africa -- Social conditions -- 21st century.
Xenophobia -- South Africa
Immigrants -- Violence against
UCTD
Loki, Asivile
Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title_full Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title_fullStr Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title_full_unstemmed Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title_short Rain blood nation : cultural representations of afrophobia and the brutality against Black bodies in post-apartheid South Africa
title_sort rain blood nation cultural representations of afrophobia and the brutality against black bodies in post apartheid south africa
topic Race relations -- South Africa
Black people -- South Africa -- Social conditions -- 21st century.
Xenophobia -- South Africa
Immigrants -- Violence against
UCTD
url https://scholar.sun.ac.za/handle/10019.1/131805
work_keys_str_mv AT lokiasivile rainbloodnationculturalrepresentationsofafrophobiaandthebrutalityagainstblackbodiesinpostapartheidsouthafrica