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Writing white on black : modernism as discursive paradigm in South African writing on modern Black art

Thesis (PhD (Visual Arts))--University of Stellenbosch, 2006.

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Bibliographic Details
Main Author: Van Robbroeck, Lize
Other Authors: Klopper, Sandra
Format: Thesis
Language:English
Published: Stellenbosch : University of Stellenbosch 2008
Subjects:
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access_status_str Open Access
author Van Robbroeck, Lize
author2 Klopper, Sandra
author_browse Klopper, Sandra
Van Robbroeck, Lize
author_facet Klopper, Sandra
Van Robbroeck, Lize
author_sort Van Robbroeck, Lize
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (PhD (Visual Arts))--University of Stellenbosch, 2006.
format Thesis
id oai:scholar.sun.ac.za:10019.1/1332
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:42:44.343Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2008
publishDateRange 2008
publishDateSort 2008
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/1332 Writing white on black : modernism as discursive paradigm in South African writing on modern Black art Van Robbroeck, Lize Klopper, Sandra Cilliers, Paul University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Dissertations -- Art Theses -- Art Dissertations -- Visual arts Theses -- Visual arts Art criticism -- South Africa -- Authorship Art, Black -- South Africa Art, South African -- 20th century -- Political aspects Art and society -- South Africa Modernism (Aesthetics) Thesis (PhD (Visual Arts))--University of Stellenbosch, 2006. In this thesis I deconstruct key concepts, terminologies, and rhetorical conventions employed in white South African writing on modern black art. I trace the genealogy of the dominant discursive practices of the apartheid era to the cultural discourses of the colonial era, which in turn had their origins in the Enlightenment. This genealogical tracing aims to demonstrate that South African art writing of the 20th century partook of a tradition of Western writing that was primarily intent upon producing the Western subject as a rational Enlightenment agent via the debased objectification of the colonial Other. In the process of the deconstruction, I identify the most significant discursive shifts that occurred from the 1930’s, when the first publications emerged, to the 1990’s, when South Africa’s new political dispensation opened up a different cultural landscape. Doctoral 2008-08-12T07:39:48Z 2010-06-01T08:18:47Z 2008-08-12T07:39:48Z 2010-06-01T08:18:47Z 2006-03 Thesis http://hdl.handle.net/10019.1/1332 en University of Stellenbosch application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Art criticism -- South Africa -- Authorship
Art, Black -- South Africa
Art, South African -- 20th century -- Political aspects
Art and society -- South Africa
Modernism (Aesthetics)
Van Robbroeck, Lize
Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title_full Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title_fullStr Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title_full_unstemmed Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title_short Writing white on black : modernism as discursive paradigm in South African writing on modern Black art
title_sort writing white on black modernism as discursive paradigm in south african writing on modern black art
topic Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Art criticism -- South Africa -- Authorship
Art, Black -- South Africa
Art, South African -- 20th century -- Political aspects
Art and society -- South Africa
Modernism (Aesthetics)
url http://hdl.handle.net/10019.1/1332
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