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Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction

Thesis (PhD)--Stellenbosch University, 2026.

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Main Author: Aluoch, Fred Okoth
Other Authors: Green, Louise
Format: Thesis
Language:English
Published: Stellenbosch : Stellenbosch University 2026
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access_status_str Open Access
author Aluoch, Fred Okoth
author2 Green, Louise
author_browse Aluoch, Fred Okoth
Green, Louise
author_facet Green, Louise
Aluoch, Fred Okoth
author_sort Aluoch, Fred Okoth
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (PhD)--Stellenbosch University, 2026.
format Thesis
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institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:40:50.669Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2026
publishDateRange 2026
publishDateSort 2026
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
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spelling oai:scholar.sun.ac.za:10019.1/135551 Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction Aluoch, Fred Okoth Green, Louise Smuts, Eckard Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of English. Thesis (PhD)--Stellenbosch University, 2026. Aluoch, F. O. 2026. Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction. Unpublished doctoral dissertation. Stellenbosch: Stellenbosch University [online]. Available: https://scholar.sun.ac.za/items/016f489f-e4eb-4268-a4ba-0b8c9e64d082 This dissertation explores social and environmental concerns in African literary narratives through the lens of water. The study is an experiment in reading for water—a method of literary analysis that traces the sensory, political, and agentic power of water across narratives. My aim is twofold: First, to expand what it means to read for water; second, to use the method in analyzing selected African literary texts where water features prominently. The primary texts under scrutiny depict water in its diverse guises, including rain, rivers, dams, streams, mist, fog, and bodily waters and are drawn from the geographical breadth of Africa. My study focuses mainly on inland waters, and hydro-imaginaries. The thesis takes cognizance of the boundary-effacing aspect of water and the way reading for water re-defines literary regions beyond the conventional national borders and continental mapping. The dissertation extends the method of reading for water in relation to four broad thematic areas: water containment in dams, the pollution of water bodies, water scarcity, and the inspirited aspect of water. Building on Hofmeyr et al., my study uses a hydro-infrastructural framework to show how three novels—Head’s When Rain Clouds Gather (1969), Serpell’s The Old Drift (2019), and Mahjoub’s Nubian Indigo (2012)—depict small dams as pragmatic responses to drought, while mega dams embody colonial legacies and postcolonial nationalist ambitions. My investigation of water as a carrier of contamination focuses on the polluted environment of the Niger Delta as depicted in Helon Habila’s Oil on Water (2010), showing how in this novel, as well as in Imbolo Mbue’s How Beautiful We Were (2021) and Dayo Ntwari short story “Mother’s Love” (2015), water distributes pollution through the environment, indicating the interconnectedness of ecological entities. Drawing on Hofmeyr’s notion of hydro-colonialism, I examine representations of water scarcity in Karen Jayes’s novel For the Mercy of Water (2012), Louis Greenberg’s short story “Oasis” (2015), and Wanuri Kahiu’s short film Pumzi (2009). My analysis highlights the ambivalence of water management, which both enables access in contexts of acute shortage and, through corporate commodification, produces stark inequalities. Finally, the thesis explores narrative depictions of inspirited waters in Saida Hagi-Dirie Herzi’s “The Government by Magic Spell” (2004), The Fishermen by Chigozie Obioma (2015), The Lake Goddess by Flora Nwapa (2017), and “The Healer who Married the Water” by Lerato Mahlangu (2023). Throughout the study, I note how water exceeds human control in numerous ways, acting as an unruly and disruptive force. My analysis of inspirited waters establishes that the more-than-human powers that imbue water with a form of agency contribute to its unruliness and its tendency to remain elusive, constantly evading human control. The unruliness extends to aquatic-spirited beings whose interests do not necessarily align to those of humans. This research is multi-disciplinary and draws on elementally-inclined approaches like critical oceanic studies and new materialism. The focus on water and the environment in this study contributes to the growing fields of Blue Humanities and African postcolonial ecocriticism. Doctoral 2026-04-01T10:22:01Z 2026-04-01T10:22:01Z 2026-03 Thesis https://scholar.sun.ac.za/handle/10019.1/135551 en Stellenbosch University 235 pages application/pdf Stellenbosch : Stellenbosch University
spellingShingle Aluoch, Fred Okoth
Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title_full Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title_fullStr Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title_full_unstemmed Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title_short Hydrocolonialism, Scarcity, and Pollution: Reading for Water in African Fiction
title_sort hydrocolonialism scarcity and pollution reading for water in african fiction
url https://scholar.sun.ac.za/handle/10019.1/135551
work_keys_str_mv AT aluochfredokoth hydrocolonialismscarcityandpollutionreadingforwaterinafricanfiction