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The construction of multiple identites in the display of women as objects of desire and submission

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006.

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Bibliographic Details
Main Author: Du Preez, Martelize
Other Authors: Klopper, Sandra
Format: Thesis
Language:English
Published: Stellenbosch : University of Stellenbosch 2008
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access_status_str Open Access
author Du Preez, Martelize
author2 Klopper, Sandra
author_browse Du Preez, Martelize
Klopper, Sandra
author_facet Klopper, Sandra
Du Preez, Martelize
author_sort Du Preez, Martelize
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006.
format Thesis
id oai:scholar.sun.ac.za:10019.1/1731
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:44:07.837Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2008
publishDateRange 2008
publishDateSort 2008
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/1731 The construction of multiple identites in the display of women as objects of desire and submission Du Preez, Martelize Klopper, Sandra Cassar, Errico University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Dissertations -- Art Theses -- Art Dissertations -- Visual arts Theses -- Visual arts Sex discrimination against women Women -- Identity Fashion -- Social aspects Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2006. As manufacturing jewellery artist, I have found that it is now most often women rather than men who commission or purchase jewellery. These women often earn substantial salaries and therefore they are in a position to indulge freely in what traditionally was considered the frivolous pursuit of beauty. Consequently, women are challenging expectations that they be submissive and desirable display objects, thereby signifying their dependence on male economical power. The aim of this research is to encourage transformation and the development of an individual and independent feminine identity by exposing the pressures placed on women to construct their identities as prescribed by patriarchal institutions, dress codes, fashion, science and therefore also gender stereotyping and gender inequalities. The three chapters of my thesis are titled Restriction, Change and Liberation?, which is followed by a discussion of my practical work in the addendum. The thesis and practical work were developed in support of one another. Masters 2008-07-08T10:18:03Z 2010-06-01T08:31:45Z 2008-07-08T10:18:03Z 2010-06-01T08:31:45Z 2006-03 Thesis http://hdl.handle.net/10019.1/1731 en University of Stellenbosch application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Sex discrimination against women
Women -- Identity
Fashion -- Social aspects
Du Preez, Martelize
The construction of multiple identites in the display of women as objects of desire and submission
title The construction of multiple identites in the display of women as objects of desire and submission
title_full The construction of multiple identites in the display of women as objects of desire and submission
title_fullStr The construction of multiple identites in the display of women as objects of desire and submission
title_full_unstemmed The construction of multiple identites in the display of women as objects of desire and submission
title_short The construction of multiple identites in the display of women as objects of desire and submission
title_sort construction of multiple identites in the display of women as objects of desire and submission
topic Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Sex discrimination against women
Women -- Identity
Fashion -- Social aspects
url http://hdl.handle.net/10019.1/1731
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