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Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano

Thesis (MMus (Music))--University of Stellenbosch, 2009.

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Bibliographic Details
Main Author: Pinto Ribeiro, Bruno Alfredo
Other Authors: Muller, Stephanus
Format: Thesis
Language:English
Published: Stellenbosch : University of Stellenbosch 2009
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access_status_str Open Access
author Pinto Ribeiro, Bruno Alfredo
author2 Muller, Stephanus
author_browse Muller, Stephanus
Pinto Ribeiro, Bruno Alfredo
author_facet Muller, Stephanus
Pinto Ribeiro, Bruno Alfredo
author_sort Pinto Ribeiro, Bruno Alfredo
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MMus (Music))--University of Stellenbosch, 2009.
format Thesis
id oai:scholar.sun.ac.za:10019.1/1924
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:44:36.436Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2009
publishDateRange 2009
publishDateSort 2009
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/1924 Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano Pinto Ribeiro, Bruno Alfredo Muller, Stephanus University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. Performance Piano music -- Analysis, appreciation Composers -- South Africa Authenticity Dissertations -- Music Theses -- Music Van Wyk, Arnold, 1916-1983. Night Music De Groote, Steven, 1954- Thesis (MMus (Music))--University of Stellenbosch, 2009. Arnold van Wyk was a composer and a pianist. He recorded his largest work for piano, Night Music (1958), on LP in 1963. Steven de Groote performed Night Music on 21 July 1984 at the Cheltenham International Festival of Music. This live performance was broadcast on BBC Radio 3 on 24 September 1984 and a copy of this broadcast exists in the Arnold van Wyk collection in the J.S. Gericke Library at Stellenbosch University. Night Music is a perfect example of Van Wyk’s compositional techniques for the keyboard. It demands a considerable musical imagination and piano technique from the performer. The score of Night Music contains many detailed instructions regarding the different musical parameters and it also encloses unusual terms such as glacial or lugubre. It shows that the composer is extremely concerned to control all aspects of the performance and expects great depth of interpretation of the performer. Analysing the score of Night Music together with a performance by the composer enables one to consider two versions of “authenticated text”. The comparison between Arnold van Wyk’s recording, score and Steven de Groote’s performance allows the researcher to draw conclusions about score fidelity as a condition for “authenticity” in performance. Therefore, the primary aim of this research project is to yield interesting perspectives on notions of authenticity in performance with regard to these two particular performances of Night Music. The main body of this thesis consists of four chapters. In Chapter One a philosophical discussion about authenticity in performance is presented. Chapter Two focuses on the contextualisation of the work under discussion, including the reception and a short analysis of Night Music. It is followed by Chapter Three which compares the pianism of Arnold van Wyk and Steven de Groote. These latter two chapters form the background of the comparative performance analysis of the renditions of Night Music by these two performers which are presented in Chapter Four. Through the careful comparative analysis of Arnold van Wyk’s and Steven de Groote’s performances of Night Music it was possible to observe that a composer can present a version of his work that departs quite radically from the score. As “authenticity in performance” strives to honour the composer’s intentions as notated in the score, this discrepancy illustrates the controversial nature of the discourse on the “authentic” in music. Masters 2009-03-09T07:37:08Z 2010-06-01T08:36:44Z 2009-03-09T07:37:08Z 2010-06-01T08:36:44Z 2009-03 Thesis http://hdl.handle.net/10019.1/1924 en University of Stellenbosch application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Performance
Piano music -- Analysis, appreciation
Composers -- South Africa
Authenticity
Dissertations -- Music
Theses -- Music
Van Wyk, Arnold, 1916-1983. Night Music
De Groote, Steven, 1954-
Pinto Ribeiro, Bruno Alfredo
Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title_full Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title_fullStr Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title_full_unstemmed Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title_short Exploring authenticity in performance : a comparative performance analysis of Arnold van Wyk’s Night Music for piano
title_sort exploring authenticity in performance a comparative performance analysis of arnold van wyk s night music for piano
topic Performance
Piano music -- Analysis, appreciation
Composers -- South Africa
Authenticity
Dissertations -- Music
Theses -- Music
Van Wyk, Arnold, 1916-1983. Night Music
De Groote, Steven, 1954-
url http://hdl.handle.net/10019.1/1924
work_keys_str_mv AT pintoribeirobrunoalfredo exploringauthenticityinperformanceacomparativeperformanceanalysisofarnoldvanwyksnightmusicforpiano