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The African Biennale : envisioning ‘authentic’ African contemporaneity

Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2009.

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Bibliographic Details
Main Author: Mauchan, Fiona
Other Authors: Van Robbroeck, Lize
Format: Thesis
Language:English
Published: Stellenbosch : University of Stellenbosch 2009
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access_status_str Open Access
author Mauchan, Fiona
author2 Van Robbroeck, Lize
author_browse Mauchan, Fiona
Van Robbroeck, Lize
author_facet Van Robbroeck, Lize
Mauchan, Fiona
author_sort Mauchan, Fiona
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2009.
format Thesis
id oai:scholar.sun.ac.za:10019.1/2596
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:44:05.289Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2009
publishDateRange 2009
publishDateSort 2009
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/2596 The African Biennale : envisioning ‘authentic’ African contemporaneity Mauchan, Fiona Van Robbroeck, Lize University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Visual Arts. Dissertations -- Art Theses -- Art Dissertations -- Visual arts Theses -- Visual arts Dak'Art: Biennale de l'art africain contemporain Art, Modern -- 20th century Art, African -- 20th century -- Appreciation African diaspora Thesis (MA (VA)(Visual Arts))--University of Stellenbosch, 2009. This thesis aims to assess the extent to which the African curated exhibition, Dak’Art: Biennale de l’art africain contemporain , succeeds in subverting hegemonic Western representations of African art as necessarily ‘exotic’ and ‘Other.’ My investigation of the Dak’Art biennale in this thesis is informed and preceded by a study of evolutionist assumptions towards African art and the continuing struggle for command over the African voice. I outline the trajectory of African art from primitive artifact to artwork, highlighting the prejudices that have kept Africans from being valued as equals and unique artists in their own right. I then look at exhibiting techniques employed to move beyond perceptions of the tribal, to subvert the exoticising tendency of the West and remedy the marginalised position of the larger African artistic community. Masters 2009-03-04T14:50:01Z 2010-06-01T08:53:17Z 2009-03-04T14:50:01Z 2010-06-01T08:53:17Z 2009-03 Thesis http://hdl.handle.net/10019.1/2596 en University of Stellenbosch application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Dak'Art: Biennale de l'art africain contemporain
Art, Modern -- 20th century
Art, African -- 20th century -- Appreciation
African diaspora
Mauchan, Fiona
The African Biennale : envisioning ‘authentic’ African contemporaneity
title The African Biennale : envisioning ‘authentic’ African contemporaneity
title_full The African Biennale : envisioning ‘authentic’ African contemporaneity
title_fullStr The African Biennale : envisioning ‘authentic’ African contemporaneity
title_full_unstemmed The African Biennale : envisioning ‘authentic’ African contemporaneity
title_short The African Biennale : envisioning ‘authentic’ African contemporaneity
title_sort african biennale envisioning authentic african contemporaneity
topic Dissertations -- Art
Theses -- Art
Dissertations -- Visual arts
Theses -- Visual arts
Dak'Art: Biennale de l'art africain contemporain
Art, Modern -- 20th century
Art, African -- 20th century -- Appreciation
African diaspora
url http://hdl.handle.net/10019.1/2596
work_keys_str_mv AT mauchanfiona theafricanbiennaleenvisioningauthenticafricancontemporaneity
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