Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994

Thesis (PhD)--Stellenbosch University, 2000.

Saved in:
Bibliographic Details
Main Author: Wasserman, Herman,1969-
Other Authors: Viljoen, Louise
Format: Thesis
Language:af_ZA
Published: Stellenbosch : Stellenbosch University 2012
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867614103107796992
access_status_str Open Access
author Wasserman, Herman,1969-
author2 Viljoen, Louise
author_browse Viljoen, Louise
Wasserman, Herman,1969-
author_facet Viljoen, Louise
Wasserman, Herman,1969-
author_sort Wasserman, Herman,1969-
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (PhD)--Stellenbosch University, 2000.
format Thesis
id oai:scholar.sun.ac.za:10019.1/51879
institution Stellenbosch University (South Africa)
language af_ZA
last_indexed 2026-06-10T12:46:42.610Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2012
publishDateRange 2012
publishDateSort 2012
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/51879 Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994 Wasserman, Herman,1969- Viljoen, Louise Stellenbosch University. Faculty of Arts & Social Sciences . Dept. of Afrikaans & Dutch. Afrikaans literature -- History and criticism Afrikaans literature -- 20th century -- History and criticism Short stories, Afrikaans -- History and criticism Identity (Psychology) in literature Afrikaners -- Ethnic identity -- History Dissertations -- Afrikaans literature Theses -- Afrikaans literature Thesis (PhD)--Stellenbosch University, 2000. ENGLISH ABSTRACT: This thesis contains the results of an investigation into constructions of cultural identity in recent works of short fiction written in Afrikaans. The investigation was conducted within the framework of postcolonial literary theory, with specific reference to the work ofHomi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra and Bob Hodge. The conceptual apparatus concerning postcolonial reconstruction of cultural identities in reaction to the discourse of colonialism were applied to certain Afrikaans short stories to establish to what extent these texts could be considered a '<writing back" to the colonial discourse of Afrikaner nationalism and apartheid. The research focused on texts that had been published after 1994, being the date of the first democratic elections in South Africa, but also investigated their relation to certain literary traditions that preceded this date. From the Afrikaans short stories that were read within a postcolonial framework, it could be concluded that Afrikaans literature after 1994 could still be read in terms of what Mishra and Hodge (1994) called a fused postcolonial, a typification that according to Viljoen (1996) was applicable to the Afrikaans literature of before 1994. The cultural identity that was constructed in these texts showed similarities with the two moments of cultural reconstruction that Hall (1992) mentioned, namely either a strategic essentialism of the colonized subject or a hybridized cultural identity as the result of an ongoing, dynamic process of negotiation in a Third Space as Bhabha (1994) pointed out. A discourse of resistance against new forms of cultural imperialism, arising from a broader disillusion with the perceived dystopia of post-colonial South Africa, could also be inferred from certain Afrikaans short stories that have appeared since 1994. As far as a renewed undermining of imperialising tendencies is concerned, these texts can therefore be considered a continuation of the dissidence that has been characteristic of Afrikaans literature for several decades. AFRIKAANSE OPSOMMING: Hierdie proefskrif bevat die resultate van 'n ondersoek na konstruksies van kulturele identiteit in onlangse kortverhale in Afrikaans. Die ondersoek is gedoen binne die raamwerk van die postkoloniale literêre teorie, met spesifieke verwysing na die werk van Homi Bhabha, Stuart Hall, Gayatri Spivak, Vijay Mishra en Bob Hodge. Konseptuele apparatuur rakende postkoloniale herkonstruksie van kulturele identiteit in reaksie op diskoerse van kolonialisme, is toegepas op bepaalde Afrikaanse kortverhale om vas te stel in watter mate hierdie tekste beskou kon word as 'n terugskrywing teen die koloniale diskoers van Afrikanernasionalisme en apartheid. Die navorsing het gefokus op tekste wat gepubliseer is na 1994, die datum van die eerste demokratiese verkiesings in Suid- Afrika, maar het ook hul verhouding ondersoek tot sekere literêre tradisies wat hierdie datum voorafgegaan het. Uit die Afrikaanse kortverhale wat gelees is binne 'n postkoloniale raamwerk, is daar tot die gevolgtrekking gekom dat die Afrikaanse letterkunde na 1994 steeds gelees kan word in terme van wat Mishra en Hodge (1994) 'n "saamgestelde postkolonialisme" genoem het, 'n tipering wat volgens Viljoen (1996) toepasbaar was op die Afrikaanse letterkunde van voor 1994. Die kulturele identiteit wat gekonstrueer is in hierdie tekste toon ooreenkomste met die twee momente van kulturele herkonstruksie waarna Hall (1992) verwys, naamlik enersyds 'n strategiese essensialisme van die gekoloniseerde subjek en andersyds 'n gehibridiseerde kulturele identiteit as die gevolg van 'n voortgaande, dinamiese proses van onderhandeling in wat Bhabha (1994) 'n Derde Ruimte genoem het. 'n Diskoers van weerstand teen wat ervaar word as nuwe vorme van kulturele imperialisme, voortspruitend uit 'n breër ontnugtering met wat beskou word as 'n distopiese post-koloniale Suid-Afrika, kon ook afgelei word uit sekere Afrikaanse kortverhale wat sedert 1994 verskyn het. Wat betref 'n hernieude ondermyning van imperialiserende tendense kan hierdie tekste daarom gesien word as 'n voortsetting van die tradisie van weerstand wat die Afrikaanse literatuur dekades lank reeds kenmerk. Doctoral 2012-08-27T11:34:44Z 2012-08-27T11:34:44Z 2000-12 Thesis http://hdl.handle.net/10019.1/51879 af_ZA Stellenbosch University 364 p. application/pdf Stellenbosch : Stellenbosch University
spellingShingle Afrikaans literature -- History and criticism
Afrikaans literature -- 20th century -- History and criticism
Short stories, Afrikaans -- History and criticism
Identity (Psychology) in literature
Afrikaners -- Ethnic identity -- History
Dissertations -- Afrikaans literature
Theses -- Afrikaans literature
Wasserman, Herman,1969-
Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title_full Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title_fullStr Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title_full_unstemmed Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title_short Postkoloniale kulturele identiteit in Afrikaanse kortverhale na 1994
title_sort postkoloniale kulturele identiteit in afrikaanse kortverhale na 1994
topic Afrikaans literature -- History and criticism
Afrikaans literature -- 20th century -- History and criticism
Short stories, Afrikaans -- History and criticism
Identity (Psychology) in literature
Afrikaners -- Ethnic identity -- History
Dissertations -- Afrikaans literature
Theses -- Afrikaans literature
url http://hdl.handle.net/10019.1/51879
work_keys_str_mv AT wassermanherman1969 postkolonialekultureleidentiteitinafrikaansekortverhalena1994