Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
Op weg na 'n kontemporere eko-estetiek
Thesis (MA)-- Stellenbosch University, 2003.
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Thesis |
| Language: | en_ZA |
| Published: |
Stellenbosch : Stellenbosch University
2012
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
| _version_ | 1867614061132251136 |
|---|---|
| access_status_str | Open Access |
| author | Harley, Magdalena Johanna Gertruida |
| author2 | Dietrich, Keith |
| author_browse | Dietrich, Keith Harley, Magdalena Johanna Gertruida |
| author_facet | Dietrich, Keith Harley, Magdalena Johanna Gertruida |
| author_sort | Harley, Magdalena Johanna Gertruida |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Thesis (MA)-- Stellenbosch University, 2003. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/53543 |
| institution | Stellenbosch University (South Africa) |
| language | en_ZA |
| last_indexed | 2026-06-10T12:46:01.452Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2012 |
| publishDateRange | 2012 |
| publishDateSort | 2012 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/53543 Op weg na 'n kontemporere eko-estetiek Harley, Magdalena Johanna Gertruida Dietrich, Keith Stellenbosch University. Faculty of Arts & Social Sciences. Dept. of Visual Arts. Ecofeminism Environment (Aesthetics) Art and science Ecology in art Trash art Cycles Aesthetics Dissertations -- Art Dissertations -- Visual arts Theses -- Visual arts Theses -- Art Thesis (MA)-- Stellenbosch University, 2003. ENGLISH ABSTRACT: On the way to a contemporary eco-aesthetic. My thesis consists of three chapters; the first chapter contains a basic background study and philosophic research of concepts which are relevant to my work; the second chapter is a discussion of ecofeminism as political and spiritual phenomena (my work resorts in the genre of ecofeminism); and the third chapter is an analytic consideration and discussion where my works are presented as a visual explanation of my own interpretation of the dialogue between art and science with underlying geographical and ecological concepts. Some of these concepts purport the ritual of cycles and the aesthetic experience thereof. They deal with the earth as maternal patron where the layers of society (evidence of existence) becomes evident in the layering of the earth. This evidence of existence can be found in the waste generated from the cyclic existence of living beings and organisms. In addition, the traditional scrub or healing activities which are ascribed to women, are used as an argument to effectuate a consciousness of symbioses. AFRIKAANSE OPSOMMING: My tesis bestaan uit drie hoofstukke; die eerste hoofstuk behels 'n basiese agtergrondstudie en filosofiese ondersoek na konsepte wat na my mening betrekking het op my werk; die tweede hoofstuk is 'n bespreking oor ekofeminisme as politieke en spirituele verskynsel (my werk ressorteer onder ekofeminisme as genre); en die derde hoofstuk 'n analitiese beskouing en bespreking waar my werk aangebied word as visuele verduideliking van my persoonlike interpretasie van die dialoog tussen kuns en wetenskap met onderliggende geografiese en ekologiese konsepte. Van hierdie konsepte gaan oor die ritueel van siklusse en die estetiese belewenis daarvan. Dit handeloor die aarde as die moederskoot waar die lae van samelewings (bewyse van bestaan) gelees kan word in die gelaagdheid van die aarde. Hierdie bewyse van bestaan kan gevind word in die afval wat gegenereer word uit die sikliese bestaanswyse van lewende wesens en organismes. Hiermee saam word die tradisionele skrop- of helende aktiwiteite wat aan vroue toegeken word, as argument gebruik om 'n bewussyn van simbiose te bewerkstellig. Masters 2012-08-27T11:35:31Z 2012-08-27T11:35:31Z 2003-12 Thesis http://hdl.handle.net/10019.1/53543 en_ZA Stellenbosch University 220 p. : ill. (some col.) application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Ecofeminism Environment (Aesthetics) Art and science Ecology in art Trash art Cycles Aesthetics Dissertations -- Art Dissertations -- Visual arts Theses -- Visual arts Theses -- Art Harley, Magdalena Johanna Gertruida Op weg na 'n kontemporere eko-estetiek |
| title | Op weg na 'n kontemporere eko-estetiek |
| title_full | Op weg na 'n kontemporere eko-estetiek |
| title_fullStr | Op weg na 'n kontemporere eko-estetiek |
| title_full_unstemmed | Op weg na 'n kontemporere eko-estetiek |
| title_short | Op weg na 'n kontemporere eko-estetiek |
| title_sort | op weg na n kontemporere eko estetiek |
| topic | Ecofeminism Environment (Aesthetics) Art and science Ecology in art Trash art Cycles Aesthetics Dissertations -- Art Dissertations -- Visual arts Theses -- Visual arts Theses -- Art |
| url | http://hdl.handle.net/10019.1/53543 |
| work_keys_str_mv | AT harleymagdalenajohannagertruida opwegnankontemporereekoestetiek |