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The alchemy of sound : creating unbelievable believability through audiovisual fusion

Thesis (MPhil (Music))--University of Stellenbosch, 2011.

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Bibliographic Details
Main Author: Jansen, Rhyno
Other Authors: Herbst, Theo
Format: Thesis
Language:English
Published: Stellenbosch : University of Stellenbosch 2011
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access_status_str Open Access
author Jansen, Rhyno
author2 Herbst, Theo
author_browse Herbst, Theo
Jansen, Rhyno
author_facet Herbst, Theo
Jansen, Rhyno
author_sort Jansen, Rhyno
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MPhil (Music))--University of Stellenbosch, 2011.
format Thesis
id oai:scholar.sun.ac.za:10019.1/6561
institution Stellenbosch University (South Africa)
language English
last_indexed 2026-06-10T12:47:18.472Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2011
publishDateRange 2011
publishDateSort 2011
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
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source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/6561 The alchemy of sound : creating unbelievable believability through audiovisual fusion Jansen, Rhyno Herbst, Theo Vermeulen, J. University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. Dissertations -- Music Theses -- Music Metadiegetic sound Alchemy Cinematography Motion picture music Motion pictures -- Sound effects Music Thesis (MPhil (Music))--University of Stellenbosch, 2011. ENGLISH ABSTRACT: This thesis represents an attempt to explore the use of metadiegetic film sound and its connection with qualities displayed by human physiology. Metadiegesis is chosen as the focus of this study, in order to point out the potential of film sound to be representative and not to slavishly imitate its visual counterpart. Therefore, because metadiegetic sound is deictic in nature, the first hurdle to clear was to navigate through a terminological minefield, allowing a clear glimpse of its true meaning and its connection with the filmic image. The researcher attempts to create hypothetical scenarios in order to analyse and discuss metadiegetic examples from films, convincingly utilised and less-convincingly so. The intention was to understand, clarify and disambiguate terminological uncertainties and inaccuracies. An exploration of asynchronous metadiegetic sound follows as refinement of the first step. This is done by resorting to existing examples in the form of extracts from films for demonstration purposes. As a result, the use of metadiegetic film sound is clearly defined and its use explained by attaching it to three concepts: a ‘story within a story’, external story space, and internal representation. It is argued that through these concepts, sound can be amalgamated with image to create a different realm, where sound and image tell more than an audio-visual story. AFRIKAANSE OPSOMMING: In hierdie tesis poog die navorser om die gebruik van “metadiegetic” film-klank, en die verband wat dit met die menslike fisiologie hou, te verken. “Metadiegesis” vorm dus die fokuspunt van die navorsingstuk. Hierdie fokus beklemtoon film-klank se verteenwoordigende potensiaal, en die feit dat dit nie net ʼn slaafse nabootsing van die visuele aspek van film is nie. Aangesien “metadiegetic” klank dus deikties van aard is, is die eerste uitdaging om ʼn weg te vind deur ʼn terminologiese mynveld. Dit word gedoen in ʼn poging op ʼn duidelike begrip van die ware betekenis van “metadiegesis” te ontwikkel, en om die verband wat film-klank met die visuele aspek van film het, duidelik te maak. Die navorser poog in die eerste plek om hipotetiese scenario’s te skep om sodoende “metadiegetic” voorbeelde in films te analiseer en te bespreek. Die doel is om terminologiese onsekerhede en dubbelsinnighede te verstaan en te verklaar. Dan volg die verkenning van asinchroniese “metadiegetic” klank as verfyning van die eerste stap. Dit word gedoen deur gebruik te maak van film-uittreksels ter verduideliking van die bogenoemde stappe. Na aanleiding hiervan, is die gebruik van metadiegetiese film-klank duidelik gedefinieer, en die toepassing daarvan gekoppel aan drie konsepte: ʼn “storie binne-in ʼn storie”, “eksterne storie ruimte” en “interne verteenwoordiging”. Deur middel van hierdie konsepte kan klank saamsmelt met beeld om ʼn ander dimensie te betree, waar klank en beeld meer vertel as ʼn oudiovisuele storie. Masters 2011-03-01T11:19:12Z 2011-03-14T08:19:20Z 2011-03-01T11:19:12Z 2011-03-14T08:19:20Z 2011-03 Thesis http://hdl.handle.net/10019.1/6561 en University of Stellenbosch 84 leaves application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Dissertations -- Music
Theses -- Music
Metadiegetic sound
Alchemy
Cinematography
Motion picture music
Motion pictures -- Sound effects
Music
Jansen, Rhyno
The alchemy of sound : creating unbelievable believability through audiovisual fusion
title The alchemy of sound : creating unbelievable believability through audiovisual fusion
title_full The alchemy of sound : creating unbelievable believability through audiovisual fusion
title_fullStr The alchemy of sound : creating unbelievable believability through audiovisual fusion
title_full_unstemmed The alchemy of sound : creating unbelievable believability through audiovisual fusion
title_short The alchemy of sound : creating unbelievable believability through audiovisual fusion
title_sort alchemy of sound creating unbelievable believability through audiovisual fusion
topic Dissertations -- Music
Theses -- Music
Metadiegetic sound
Alchemy
Cinematography
Motion picture music
Motion pictures -- Sound effects
Music
url http://hdl.handle.net/10019.1/6561
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