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Thesis (MPhil (Music))--University of Stellenbosch, 2011.
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| Other Authors: | |
| Format: | Thesis |
| Language: | Afrikaans en_ZA |
| Published: |
Stellenbosch : University of Stellenbosch
2011
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| _version_ | 1867613889950121984 |
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| access_status_str | Open Access |
| author | Roux, Gerhard Wachtendonck |
| author2 | Herbst, T. |
| author_browse | Herbst, T. Roux, Gerhard Wachtendonck |
| author_facet | Herbst, T. Roux, Gerhard Wachtendonck |
| author_sort | Roux, Gerhard Wachtendonck |
| collection | Thesis |
| dc_rights_str_mv | University of Stellenbosch |
| description | Thesis (MPhil (Music))--University of Stellenbosch, 2011. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/6734 |
| institution | Stellenbosch University (South Africa) |
| language | Afrikaans en_ZA |
| last_indexed | 2026-06-10T12:43:19.203Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2011 |
| publishDateRange | 2011 |
| publishDateSort | 2011 |
| publisher | Stellenbosch : University of Stellenbosch |
| publisherStr | Stellenbosch : University of Stellenbosch |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/6734 Mikrofoontegnieke toegepas in populêre musiekopnames Roux, Gerhard Wachtendonck Herbst, T. Vermeulen, J. University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. Sound -- Recording and reproducing Microphone Popular Music Thesis (MPhil (Music))--University of Stellenbosch, 2011. ENGLISH ABSTRACT: This thesis investigates the role of natural or realistic audio recordings in popular music in the context of the different nature of popular music where the goal is not necessarily the recreation of the original acoustic space. Traditional microphone techniques are investigated from the perspective of the identifiable characteristics of popular music to establish the role of microphone techniques to obtain a desired outcome. AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die rol van natuurlike of realistiese klankopnames in populêre musiek in die lig daarvan dat die aard van populêre opnames verskil van reproduksie wat poog om die opnameruimte akoesties te herskep. Tradisionele mikrofoontegnieke word bestudeer vanuit die hoek van die identifiseerbare eienskappe van populêre musiek om te bepaal watter rol mikrofoontegniek kan speel om ’n verlangde uitkoms te bewerkstellig. Masters 2011-03-01T13:06:06Z 2011-03-14T08:36:11Z 2011-03-01T13:06:06Z 2011-03-14T08:36:11Z 2011-03 Thesis http://hdl.handle.net/10019.1/6734 af en_ZA University of Stellenbosch 251 leaves application/pdf Stellenbosch : University of Stellenbosch |
| spellingShingle | Sound -- Recording and reproducing Microphone Popular Music Roux, Gerhard Wachtendonck Mikrofoontegnieke toegepas in populêre musiekopnames |
| title | Mikrofoontegnieke toegepas in populêre musiekopnames |
| title_full | Mikrofoontegnieke toegepas in populêre musiekopnames |
| title_fullStr | Mikrofoontegnieke toegepas in populêre musiekopnames |
| title_full_unstemmed | Mikrofoontegnieke toegepas in populêre musiekopnames |
| title_short | Mikrofoontegnieke toegepas in populêre musiekopnames |
| title_sort | mikrofoontegnieke toegepas in populere musiekopnames |
| topic | Sound -- Recording and reproducing Microphone Popular Music |
| url | http://hdl.handle.net/10019.1/6734 |
| work_keys_str_mv | AT rouxgerhardwachtendonck mikrofoontegnieketoegepasinpopuleremusiekopnames |