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Mikrofoontegnieke toegepas in populêre musiekopnames

Thesis (MPhil (Music))--University of Stellenbosch, 2011.

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Bibliographic Details
Main Author: Roux, Gerhard Wachtendonck
Other Authors: Herbst, T.
Format: Thesis
Language:Afrikaans
en_ZA
Published: Stellenbosch : University of Stellenbosch 2011
Subjects:
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access_status_str Open Access
author Roux, Gerhard Wachtendonck
author2 Herbst, T.
author_browse Herbst, T.
Roux, Gerhard Wachtendonck
author_facet Herbst, T.
Roux, Gerhard Wachtendonck
author_sort Roux, Gerhard Wachtendonck
collection Thesis
dc_rights_str_mv University of Stellenbosch
description Thesis (MPhil (Music))--University of Stellenbosch, 2011.
format Thesis
id oai:scholar.sun.ac.za:10019.1/6734
institution Stellenbosch University (South Africa)
language Afrikaans
en_ZA
last_indexed 2026-06-10T12:43:19.203Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2011
publishDateRange 2011
publishDateSort 2011
publisher Stellenbosch : University of Stellenbosch
publisherStr Stellenbosch : University of Stellenbosch
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/6734 Mikrofoontegnieke toegepas in populêre musiekopnames Roux, Gerhard Wachtendonck Herbst, T. Vermeulen, J. University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. Sound -- Recording and reproducing Microphone Popular Music Thesis (MPhil (Music))--University of Stellenbosch, 2011. ENGLISH ABSTRACT: This thesis investigates the role of natural or realistic audio recordings in popular music in the context of the different nature of popular music where the goal is not necessarily the recreation of the original acoustic space. Traditional microphone techniques are investigated from the perspective of the identifiable characteristics of popular music to establish the role of microphone techniques to obtain a desired outcome. AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die rol van natuurlike of realistiese klankopnames in populêre musiek in die lig daarvan dat die aard van populêre opnames verskil van reproduksie wat poog om die opnameruimte akoesties te herskep. Tradisionele mikrofoontegnieke word bestudeer vanuit die hoek van die identifiseerbare eienskappe van populêre musiek om te bepaal watter rol mikrofoontegniek kan speel om ’n verlangde uitkoms te bewerkstellig. Masters 2011-03-01T13:06:06Z 2011-03-14T08:36:11Z 2011-03-01T13:06:06Z 2011-03-14T08:36:11Z 2011-03 Thesis http://hdl.handle.net/10019.1/6734 af en_ZA University of Stellenbosch 251 leaves application/pdf Stellenbosch : University of Stellenbosch
spellingShingle Sound -- Recording and reproducing
Microphone
Popular Music
Roux, Gerhard Wachtendonck
Mikrofoontegnieke toegepas in populêre musiekopnames
title Mikrofoontegnieke toegepas in populêre musiekopnames
title_full Mikrofoontegnieke toegepas in populêre musiekopnames
title_fullStr Mikrofoontegnieke toegepas in populêre musiekopnames
title_full_unstemmed Mikrofoontegnieke toegepas in populêre musiekopnames
title_short Mikrofoontegnieke toegepas in populêre musiekopnames
title_sort mikrofoontegnieke toegepas in populere musiekopnames
topic Sound -- Recording and reproducing
Microphone
Popular Music
url http://hdl.handle.net/10019.1/6734
work_keys_str_mv AT rouxgerhardwachtendonck mikrofoontegnieketoegepasinpopuleremusiekopnames