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Die interpretasie van musiektekste
Proefskrif (M. Mus.) -- Universiteit van Stellenbosch, 1991.
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| Format: | Thesis |
| Language: | af_ZA |
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Stellenbosch : Stellenbosch University
2012
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| _version_ | 1867613956405723136 |
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| access_status_str | Open Access |
| author | Temmingh, Zorada |
| author2 | Stellenbosch University. Faculty of Arts and Social Sciences. Department of Music. |
| author_browse | Stellenbosch University. Faculty of Arts and Social Sciences. Department of Music. Temmingh, Zorada |
| author_facet | Stellenbosch University. Faculty of Arts and Social Sciences. Department of Music. Temmingh, Zorada |
| author_sort | Temmingh, Zorada |
| collection | Thesis |
| dc_rights_str_mv | Stellenbosch University |
| description | Proefskrif (M. Mus.) -- Universiteit van Stellenbosch, 1991. |
| format | Thesis |
| id | oai:scholar.sun.ac.za:10019.1/69168 |
| institution | Stellenbosch University (South Africa) |
| language | af_ZA |
| last_indexed | 2026-06-10T12:44:22.712Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository |
| publishDate | 2012 |
| publishDateRange | 2012 |
| publishDateSort | 2012 |
| publisher | Stellenbosch : Stellenbosch University |
| publisherStr | Stellenbosch : Stellenbosch University |
| record_format | dspace |
| source_str | SUNScholar — Stellenbosch University Repository |
| spelling | oai:scholar.sun.ac.za:10019.1/69168 Die interpretasie van musiektekste Temmingh, Zorada Stellenbosch University. Faculty of Arts and Social Sciences. Department of Music. Music -- Interpretation (Phrasing, dynamics, etc.) -- Interpretation (Phrasing, dynamics, etc.) Dissertations -- Music Proefskrif (M. Mus.) -- Universiteit van Stellenbosch, 1991. AFRIKAANSE OPSMOMMING: Hierdie tesis kan beskryf word as "'n interpretasie van interpretasie in die musiekclomein". Daar word besin oor die uitvoerende musikus, die musikoloog, die komponis en die lu!~teraar as interpreteurs. Terselfdertyd word die volgende model vir die beskrywing van 'n musiekwerk se geskiedenis (van sender tot ontvanger) ontwikkel: oerteks > leesteks > speelteks > hoorteks Hierdie model, wat herinner aan 'n htrmeneutiese sirkel, bring mee dat die gebruik van die woord "teks" dus aansienlik uitgebrei word. Die interpretasie-aktiwiteit word dikwels en onjuis as die prerogatief van die uitvoerende musikus beskou. Hierdie tesis probeer om hierdie aktiwiteit in 'n juister perspektief te plaas, naamlik dat, soortgelyk aan die sender/ontvanger-gebeure in ander kunste, in musiek die sender (die komponis) se boodskap (die musiekteks) primer 'n interpretasie van die uiteindelike ontvanger (die luisteraar) meebring. ENGLISH ABSTRACT: This thesis can be described as "en interpretation of interpretation in tI·,e domain of m11sic". Consideration is given to the musician-performer, the musicologist, the composer and the listener as interpreters. At the same time the following model for the description of the history of a musicai work (from sender to receiver) is developed: inchoacive text > reader-text > performer-text > lis:ener-text This model, which resembles a hermeneutic circle, h2 the result that the use of the word "text" is accordingly extended considerably. The activity of interpretation is frequently and inaccurately regarded as the prerogative of the musician-p1!rformer. This thesis tries to put this activity in a more accurate perspective, namely that, similar to the sender/receiver event in other arts., in music the message (the music text) of the sender (the composer) brings about primarily an interpretation by the eventual receiver (the listener). 2012-08-27T12:26:57Z 2012-08-27T12:26:57Z 1991 Thesis http://hdl.handle.net/10019.1/69168 af_ZA Stellenbosch University 125 p. : musiek application/pdf Stellenbosch : Stellenbosch University |
| spellingShingle | Music -- Interpretation (Phrasing, dynamics, etc.) -- Interpretation (Phrasing, dynamics, etc.) Dissertations -- Music Temmingh, Zorada Die interpretasie van musiektekste |
| title | Die interpretasie van musiektekste |
| title_full | Die interpretasie van musiektekste |
| title_fullStr | Die interpretasie van musiektekste |
| title_full_unstemmed | Die interpretasie van musiektekste |
| title_short | Die interpretasie van musiektekste |
| title_sort | die interpretasie van musiektekste |
| topic | Music -- Interpretation (Phrasing, dynamics, etc.) -- Interpretation (Phrasing, dynamics, etc.) Dissertations -- Music |
| url | http://hdl.handle.net/10019.1/69168 |
| work_keys_str_mv | AT temminghzorada dieinterpretasievanmusiektekste |