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Die begin in die kortverhaal

Thesis (MA)--Stellenbosch University, 1992.

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Bibliographic Details
Main Author: Bloemhof, Francois
Other Authors: Smuts, J. P. (Johannes Pieter)
Format: Thesis
Language:Afrikaans
Published: Stellenbosch : Stellenbosch University 2012
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access_status_str Open Access
author Bloemhof, Francois
author2 Smuts, J. P. (Johannes Pieter)
author_browse Bloemhof, Francois
Smuts, J. P. (Johannes Pieter)
author_facet Smuts, J. P. (Johannes Pieter)
Bloemhof, Francois
author_sort Bloemhof, Francois
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (MA)--Stellenbosch University, 1992.
format Thesis
id oai:scholar.sun.ac.za:10019.1/69543
institution Stellenbosch University (South Africa)
language Afrikaans
last_indexed 2026-06-10T12:43:38.086Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2012
publishDateRange 2012
publishDateSort 2012
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/69543 Die begin in die kortverhaal Bloemhof, Francois Smuts, J. P. (Johannes Pieter) Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of Afrikaans and Dutch. Short stories Composition (Language arts) Short story -- Authorship Short story -- Technique Creation (Literary, artistic, etc.) UCTD Thesis (MA)--Stellenbosch University, 1992. ENGLISH ABSTRACT: An historical approach is useful in a study of the role of beginnings in short stories. It shows that there is a big difference between what Edgar Allan Poe, the short story's first critical theorist, called the prose tale, and a postmodernistic example like Harry Kalmer's "Die nag steek op soos 'n seer tand". Through the years diverse aspects regarding the short story have been studied, including those concerning beginning strategies, narrative directions and narrative modes. As the theories were refined, the tendency increased to apply criteria and rules. In contrast to this stringency, Anton Pavlovich Chekhov believed that classification in the short story isn't possible. AFRIKAANSE OPSOMMING: In 'n ondersoek na die rol wat beginne in kortverhale speel, is 'n historiese lyn 'n nuttige vertrekpunt. Dit laat blyk dat daar 'n groot verskil is tussen wat Edgar Allan Poe, die kortverhaal se eerste kritiese teoretikus, as die "prose tale" bestempel het, en 'n postmodernistiese voorbeeld soos Harry Kalmer se "Die nag steek op soos 'n seer tand". Daar is deur die jare op verskillende aspekte van die kortverhaal gelet, onder andere diegene rakende beginstrategieë, vertelrigtings en narratiewe modi. Namate teorieë verfyn is, het die neiging toegeneem om maatstawwe en voorskrifte te wil aanwend. Anton Pavlovich Chekhov was, in teenstryd met sodanige voorskriftelikheid, van mening dat ordening en die soeke na verbandlegging nie by die kortverhaal moontlik is nie. Masters 2012-08-27T12:27:08Z 2012-08-27T12:27:08Z 1992-03 Thesis http://hdl.handle.net/10019.1/69543 af Stellenbosch University xii, 208 pages application/pdf Stellenbosch : Stellenbosch University
spellingShingle Short stories
Composition (Language arts)
Short story -- Authorship
Short story -- Technique
Creation (Literary, artistic, etc.)
UCTD
Bloemhof, Francois
Die begin in die kortverhaal
title Die begin in die kortverhaal
title_full Die begin in die kortverhaal
title_fullStr Die begin in die kortverhaal
title_full_unstemmed Die begin in die kortverhaal
title_short Die begin in die kortverhaal
title_sort die begin in die kortverhaal
topic Short stories
Composition (Language arts)
Short story -- Authorship
Short story -- Technique
Creation (Literary, artistic, etc.)
UCTD
url http://hdl.handle.net/10019.1/69543
work_keys_str_mv AT bloemhoffrancois diebeginindiekortverhaal