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Chaucer's food basket : nature, sex and violence in The Canterbury tales

Thesis (MA)--Stellenbosch University, 2016.

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Main Author: Du Preez, Gerhardus David
Other Authors: Roux, Daniel
Format: Thesis
Language:en_ZA
Published: Stellenbosch : Stellenbosch University 2016
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access_status_str Open Access
author Du Preez, Gerhardus David
author2 Roux, Daniel
author_browse Du Preez, Gerhardus David
Roux, Daniel
author_facet Roux, Daniel
Du Preez, Gerhardus David
author_sort Du Preez, Gerhardus David
collection Thesis
dc_rights_str_mv Stellenbosch University
description Thesis (MA)--Stellenbosch University, 2016.
format Thesis
id oai:scholar.sun.ac.za:10019.1/98546
institution Stellenbosch University (South Africa)
language en_ZA
last_indexed 2026-06-10T12:46:28.519Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from SUNScholar — Stellenbosch University Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher Stellenbosch : Stellenbosch University
publisherStr Stellenbosch : Stellenbosch University
record_format dspace
source_str SUNScholar — Stellenbosch University Repository
spelling oai:scholar.sun.ac.za:10019.1/98546 Chaucer's food basket : nature, sex and violence in The Canterbury tales Du Preez, Gerhardus David Roux, Daniel Stellenbosch University. Faculty of Arts and Social Sciences. Dept of English. Chaucer, Geoffrey, -1400 -- The Canterbury tales Medieval gastronomy Food culture in literature Carnival in Medieval literature UCTD Thesis (MA)--Stellenbosch University, 2016. ENGLISH ABSTRACT: This thesis explores the representation of food in Geoffrey Chaucer‘s The Canterbury Tales. The food and food culture of a specific time and place disclose particular kinds of information about the social conditions and ideology prevalent in a given historical moment. The representation of food can thus be used as a lens to explore and analyse a whole spectrum of explicit or concealed discourses within a text. Robert Appelbaum talks about food as a literary interjection – when a writer consciously or unconsciously inserts a food or food culture in a text to gesture to an aspect of social or psychological reality. In this thesis, the exploration of gastronomy as a literary interjection is divided into three chapters that deal in turn with the idea of nature, questions around sex and sin, as well as violence in chivalry – all in relation to culinary culture. Food is used, in particular, to discuss the ways in which Chaucer manages to create the effect, in The Canterbury Tales, of characters who are split between private and public selves. The main texts that are used for this purpose are The Franklin‘s Prologue, The Physician‘s Prologue, The Prioress‘ Prologue, The Nun‘s Priest‘s Tale and The Wife of Bath‘s Prologue. Concepts and theories that are integral to this analysis include the notion of the Seven Deadly Sins, Micheal Bakhtin‘s theory of carnival in Rabelais and his World, Edward Said‘s Orientalism and numerous other publications on food history. I argue, ultimately, that the use of food in The Canterbury Tales challenges and overthrows certain dogmatic ideas and ideals within the Late Medieval Period. AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die voorstelling van kos in Geoffrey Chaucer se The Canterbury Tales. Kos en koskultuur van uit 'n spesifieke plek en tyd het die mag om die ware kleure van die menslike toestand en psige uit 'n bepaalde ideologie te ontbloot en te onthul. Die manifistasie van kos in 'n teks kan dus gebruik word as lens om 'n hele spektrum van diskoerse te ondersoek, bespeur en te analiseer. Roberbert Appelbaum verwys na kos as 'n literêre insetsel wanneer 'n skrywer/digter bewustelik of onbewustelik van kos of koskultuur gebruik maak om 'n onderliggende diskoers weer te gee. Die bespeuring van gastronomie as 'n literêre insetsel word in drie hoofstukke opgedeel wat handel oor natuur, seks en sonde as ook die geweld in ridderskap. In die hoofstuk oor natuur, byvoorbeeld, kom die ware natuur van karakters navore weens die literêre funksionaliteit van kos in die volgende tekste: The Franklin‘s Prologue; The Physician‘s Prologue; The Prioress‘ Prologue; The Nun‘s Priest‘s Tale en The Wife of Bath‘s Prologue. In hierdie analises word daar konstant van konsepte en teorië gebruik gemaak as verwyssingspunte of lense vir die analises. Dit sluit onderandere die Sewe Sondes, Micheal Bakhtin se teorie oor Karnaval in Rabelais and his World, Edward Said se Orientalism en verskeie publikasies oor kosgeskiedenis in. Die argument lei dat die gebruik van kos in The Canterbury Tales die dogmatiese idees en ideale van die Laat Middeleeuse Periode omvergooi en uitdaag. Dit onthul die dubbel-bestaan in die karakterisering van Chaucer se karakters en bring na die oppervlak die ware natuur van die mensdom in 'n tydperk waar religie en dogma menslike gedrag probeer beheer het. Masters 2016-03-09T14:32:05Z 2016-03-09T14:32:05Z 2016-03 Thesis http://hdl.handle.net/10019.1/98546 en_ZA Stellenbosch University 135 pages : illustrations application/pdf Stellenbosch : Stellenbosch University
spellingShingle Chaucer, Geoffrey, -1400 -- The Canterbury tales
Medieval gastronomy
Food culture in literature
Carnival in Medieval literature
UCTD
Du Preez, Gerhardus David
Chaucer's food basket : nature, sex and violence in The Canterbury tales
title Chaucer's food basket : nature, sex and violence in The Canterbury tales
title_full Chaucer's food basket : nature, sex and violence in The Canterbury tales
title_fullStr Chaucer's food basket : nature, sex and violence in The Canterbury tales
title_full_unstemmed Chaucer's food basket : nature, sex and violence in The Canterbury tales
title_short Chaucer's food basket : nature, sex and violence in The Canterbury tales
title_sort chaucer s food basket nature sex and violence in the canterbury tales
topic Chaucer, Geoffrey, -1400 -- The Canterbury tales
Medieval gastronomy
Food culture in literature
Carnival in Medieval literature
UCTD
url http://hdl.handle.net/10019.1/98546
work_keys_str_mv AT dupreezgerhardusdavid chaucersfoodbasketnaturesexandviolenceinthecanterburytales