Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works
Saved in:
| Published in: | CINEJ Cinema Journal |
|---|---|
| Format: | Online Article RSS Article |
| Published: |
2025
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
Similar Items: The Filmic Representation of Women: Paradigm Versus Perspective in the Depiction of Women in Funke Akindele’s Two Selected Works
- Review of Exposing Vulnerability: Self-Mediation in Scandinavian Films by Women
- Rethinking Jewish Representation Amid Rising Antisemitism
- Joyland: A Cinematic Representation of Pakistani Patriarchal Joint Family
- Media Representation and Affective Intermediality in Der Tote im Bunker and Vielleicht Esther
- Representations of Gothic and Spectral Identities in the Global South: A Study of Manichitrathazhu and its Adaptations
- Queer Cinema and Melodrama: A Perspective from Queer Directors