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Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism

Chapter One begins by outlining the space magic occupies in Western culture, clarifying what I mean by the term "magic". I examine aspects of indigenous American sacred traditions which have influenced and which prefigure magic realism. I review the development of the aesthetic in its Latin American...

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Main Author: Pooley, Simon Preston
Other Authors: Brink, Andre P
Format: Thesis
Language:English
Published: Department of English Language and Literature 2016
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access_status_str Open Access
author Pooley, Simon Preston
author2 Brink, Andre P
author_browse Brink, Andre P
Pooley, Simon Preston
author_facet Brink, Andre P
Pooley, Simon Preston
author_sort Pooley, Simon Preston
collection Thesis
description Chapter One begins by outlining the space magic occupies in Western culture, clarifying what I mean by the term "magic". I examine aspects of indigenous American sacred traditions which have influenced and which prefigure magic realism. I review the development of the aesthetic in its Latin American context, touching on the Chronicles, the role of nationalism and erotic rhetoric, the influence of European modernism and the role of the intellectual in Latin American society. Chapter Two examines the development of a realist aesthetic in Europe since the Enlightenment. This review of its manifestations and counter-traditions in European culture is founded upon a discussion of aspects of the philosophy of Kant. I focus on the influence of Surrealism which is particularly illuminating of Latin American magic realism. The impacts of anthropology and psychoanalysis on Latin American writers are also reviewed. Chapter Two includes a review of formulations of magic realism influential in the field of English studies and concludes with a working definition which is used as a basis for the discussions of the three novels analysed in this study. Chapter Three is a study of the development of Alejo Carpentier's version of magic realism culminating in the writing of The Kingdom of this World in 1949. Through using both European and indigenous American techniques and perspectives he hoped to create a literature which could represent the complex realities of Latin American life and establish a mythology for the founding of a unified Latin American identity.
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
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spelling oai:open.uct.ac.za:11427/18876 Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism Pooley, Simon Preston Brink, Andre P Watson, Stephen English Language and Literature Literary Studies Chapter One begins by outlining the space magic occupies in Western culture, clarifying what I mean by the term "magic". I examine aspects of indigenous American sacred traditions which have influenced and which prefigure magic realism. I review the development of the aesthetic in its Latin American context, touching on the Chronicles, the role of nationalism and erotic rhetoric, the influence of European modernism and the role of the intellectual in Latin American society. Chapter Two examines the development of a realist aesthetic in Europe since the Enlightenment. This review of its manifestations and counter-traditions in European culture is founded upon a discussion of aspects of the philosophy of Kant. I focus on the influence of Surrealism which is particularly illuminating of Latin American magic realism. The impacts of anthropology and psychoanalysis on Latin American writers are also reviewed. Chapter Two includes a review of formulations of magic realism influential in the field of English studies and concludes with a working definition which is used as a basis for the discussions of the three novels analysed in this study. Chapter Three is a study of the development of Alejo Carpentier's version of magic realism culminating in the writing of The Kingdom of this World in 1949. Through using both European and indigenous American techniques and perspectives he hoped to create a literature which could represent the complex realities of Latin American life and establish a mythology for the founding of a unified Latin American identity. 2016-04-13T14:29:23Z 2016-04-13T14:29:23Z 1994 Master Thesis Masters MA http://hdl.handle.net/11427/18876 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Language and Literature
Literary Studies
Pooley, Simon Preston
Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
thesis_degree_str Master's
title Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
title_full Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
title_fullStr Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
title_full_unstemmed Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
title_short Alejo Carpentier, Gabriel García Márquez, Salman Rushdie : three moments in the problematics of magic realism
title_sort alejo carpentier gabriel garcia marquez salman rushdie three moments in the problematics of magic realism
topic English Language and Literature
Literary Studies
url http://hdl.handle.net/11427/18876
work_keys_str_mv AT pooleysimonpreston alejocarpentiergabrielgarciamarquezsalmanrushdiethreemomentsintheproblematicsofmagicrealism