Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
This dissertation examines the subject formation of racially ambiguous protagonists in K Sello Duiker’s Thirteen Cents, (2001), Yewande Omotoso’s Bom Boy (2011) and Zoe Wicomb’s Playing in the Light (2006), three Bildungsromane set in post-apartheid Cape Town—the mother city—whose violent, racist hi...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Department of English Language and Literature
2020
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
| _version_ | 1867613349399756800 |
|---|---|
| access_status_str | Open Access |
| author | Gamedze, Londiwe Hannah |
| author2 | Ouma, Christopher |
| author_browse | Gamedze, Londiwe Hannah Ouma, Christopher |
| author_facet | Ouma, Christopher Gamedze, Londiwe Hannah |
| author_sort | Gamedze, Londiwe Hannah |
| collection | Thesis |
| description | This dissertation examines the subject formation of racially ambiguous protagonists in K Sello Duiker’s Thirteen Cents, (2001), Yewande Omotoso’s Bom Boy (2011) and Zoe Wicomb’s Playing in the Light (2006), three Bildungsromane set in post-apartheid Cape Town—the mother city—whose violent, racist histories of colonial encounters, slavery and apartheid have led to a strong social sense of racial group belonging and racial exclusion. It is between and among these strictly policed racial groups that these novels’ protagonists seek belonging and a place in society from which to act and speak. Although different aspects of racial ambiguity are foregrounded in these novels—namely phenotypical, cultural and political—these protagonists are all socially marginalised and they must form their identities and subjectivities at the intersections of social trauma and personal trauma brought about and catalyzed by the racist history and current socio-cultural formations in South Africa. Across the two socioscapes of society and family, this trauma is manifest as a gap in language—there is no affirming or cogent racial subject position for these figures from which to speak—and at the level of the body, where circulations of feeling produce the racially ambiguous body as abject or non-existent. As a sub-genre, the post-colonial Bildungsroman has been widely appraised as reconfiguring the thematic, structural and narrative traditions of its classical European counterpart, and my dissertation argues that these novels support this understanding. I also claim that they trace their racially ambiguous protagonists’ subject formation not from an initial subject position of self-centered, willful childhood innocence and ignorance but from a state of non-subjectivity into existence itself—proposing that the trajectories of the novels trace an ontological rather than ideological shift. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/31194 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:34:44.300Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2020 |
| publishDateRange | 2020 |
| publishDateSort | 2020 |
| publisher | Department of English Language and Literature |
| publisherStr | Department of English Language and Literature |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/31194 Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane Gamedze, Londiwe Hannah Ouma, Christopher Mkhize, Khwezi affect trauma postcolonial Bildungsroman subjectivity language, race mixed-race Cape Town This dissertation examines the subject formation of racially ambiguous protagonists in K Sello Duiker’s Thirteen Cents, (2001), Yewande Omotoso’s Bom Boy (2011) and Zoe Wicomb’s Playing in the Light (2006), three Bildungsromane set in post-apartheid Cape Town—the mother city—whose violent, racist histories of colonial encounters, slavery and apartheid have led to a strong social sense of racial group belonging and racial exclusion. It is between and among these strictly policed racial groups that these novels’ protagonists seek belonging and a place in society from which to act and speak. Although different aspects of racial ambiguity are foregrounded in these novels—namely phenotypical, cultural and political—these protagonists are all socially marginalised and they must form their identities and subjectivities at the intersections of social trauma and personal trauma brought about and catalyzed by the racist history and current socio-cultural formations in South Africa. Across the two socioscapes of society and family, this trauma is manifest as a gap in language—there is no affirming or cogent racial subject position for these figures from which to speak—and at the level of the body, where circulations of feeling produce the racially ambiguous body as abject or non-existent. As a sub-genre, the post-colonial Bildungsroman has been widely appraised as reconfiguring the thematic, structural and narrative traditions of its classical European counterpart, and my dissertation argues that these novels support this understanding. I also claim that they trace their racially ambiguous protagonists’ subject formation not from an initial subject position of self-centered, willful childhood innocence and ignorance but from a state of non-subjectivity into existence itself—proposing that the trajectories of the novels trace an ontological rather than ideological shift. 2020-02-20T10:07:36Z 2020-02-20T10:07:36Z 2019 2020-02-20T09:21:37Z Master Thesis Masters Master of Arts http://hdl.handle.net/11427/31194 eng application/pdf Department of English Language and Literature Faculty of Humanities |
| spellingShingle | affect trauma postcolonial Bildungsroman subjectivity language, race mixed-race Cape Town Gamedze, Londiwe Hannah Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| thesis_degree_str | Master's |
| title | Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| title_full | Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| title_fullStr | Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| title_full_unstemmed | Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| title_short | Bildung beyond the borders: racial ambiguity and subjectivity in three post-apartheid bildungsromane |
| title_sort | bildung beyond the borders racial ambiguity and subjectivity in three post apartheid bildungsromane |
| topic | affect trauma postcolonial Bildungsroman subjectivity language, race mixed-race Cape Town |
| url | http://hdl.handle.net/11427/31194 |
| work_keys_str_mv | AT gamedzelondiwehannah bildungbeyondthebordersracialambiguityandsubjectivityinthreepostapartheidbildungsromane |