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An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa

Includes bibliographical references (leaves 117-126).

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Bibliographic Details
Main Author: Mnukwana, Ncebakazi Fezeka
Other Authors: Herbst, Anri
Format: Thesis
Language:English
Published: College of Music 2014
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access_status_str Open Access
author Mnukwana, Ncebakazi Fezeka
author2 Herbst, Anri
author_browse Herbst, Anri
Mnukwana, Ncebakazi Fezeka
author_facet Herbst, Anri
Mnukwana, Ncebakazi Fezeka
author_sort Mnukwana, Ncebakazi Fezeka
collection Thesis
description Includes bibliographical references (leaves 117-126).
format Thesis
id oai:open.uct.ac.za:11427/8140
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:33:40.116Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/8140 An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa Mnukwana, Ncebakazi Fezeka Herbst, Anri Music Includes bibliographical references (leaves 117-126). lingoma zamagqirha is a Xhosa musical art often taught at workshops to introduce learners to the indigenous knowledge systems of the amaXhosa of South Africa. It is also a musical art which is performed in both sacred and secular environments. As such iingoma zamagqirha could be suitable for classroom teaching in South African schools and the oral methods embedded in the teaching of indigenous knowledge systems could provide guidelines to teachers who are required by the South African government to incorporate indigenous musical practices in their everyday teaching. This study's two primary objectives are therefore objective (a) is to analyse the inherent teaching method displayed by three performing artists and teachers of emergent teaching method through the fieldwork study. The secondary objective is to nurture a debate on the conservation of indigenous knowledge system and worldview as the educational discourse still tends to focus on Western music as the dominant culture. 2014-10-06T11:30:39Z 2014-10-06T11:30:39Z 2006 Master Thesis Masters MMus http://hdl.handle.net/11427/8140 eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Music
Mnukwana, Ncebakazi Fezeka
An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
thesis_degree_str Master's
title An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
title_full An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
title_fullStr An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
title_full_unstemmed An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
title_short An emergent model of the teaching of iingoma zamagqirha based on three case studies in the Western Cape, South Africa
title_sort emergent model of the teaching of iingoma zamagqirha based on three case studies in the western cape south africa
topic Music
url http://hdl.handle.net/11427/8140
work_keys_str_mv AT mnukwanancebakazifezeka anemergentmodeloftheteachingofiingomazamagqirhabasedonthreecasestudiesinthewesterncapesouthafrica
AT mnukwanancebakazifezeka emergentmodeloftheteachingofiingomazamagqirhabasedonthreecasestudiesinthewesterncapesouthafrica