Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)

Dissertation (MMus)--University of Pretoria, 2010.

Saved in:
Bibliographic Details
Other Authors: Johnson, Alexander F.
Format: Thesis
Published: University of Pretoria 2013
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613636170612736
access_status_str Open Access
author2 Johnson, Alexander F.
author_browse Johnson, Alexander F.
author_facet Johnson, Alexander F.
collection Thesis
dc_rights_str_mv © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Dissertation (MMus)--University of Pretoria, 2010.
format Thesis
id oai:repository.up.ac.za:2263/27653
institution University of Pretoria (South Africa)
last_indexed 2026-06-10T12:39:17.781Z
license_str Other — see source repository
provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2013
publishDateRange 2013
publishDateSort 2013
publisher University of Pretoria
publisherStr University of Pretoria
record_format dspace
source_str UPSpace — University of Pretoria Institutional Repository
spelling oai:repository.up.ac.za:2263/27653 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans) Johnson, Alexander F. Panebianco-Warrens, Clorinda Rosanna carinvgraan@yahoo.com Van Graan, Carin Fanfare festival overture Analysis Orchestration South african composers South african orchestral works African instruments Afrika-etniese elemente Orkestrasie Analise Suid-afrikaanse orkeswerke Afrika-instrumente Suid-afrikaanse komponiste Dansrapsodie - 'n afrika-stad African ethnic elements Jeanne zaidel-rudolf Stefans grové UCTD Dissertation (MMus)--University of Pretoria, 2010. Die hoofdoel van hierdie studie was om Dansrapsodie – ʼn Afrika-stad van Stefans Grové en Fanfare Festival Overture van Jeanne Zaidel-Rudolph ten opsigte van struktuur, melodie, ritme en instrumentasie te ontleed en sodoende vas te stel watter Afrika-etniese elemente gebruik word en hoe dit toegepas is. ʼn Vergelykende studie is gedoen om vas te stel of daar enige ooreenkomste of verskille tussen die twee werke is. Verskeie skripsies, verhandelings en proefskrifte oor werke van Grové en Zaidel- Rudolph is geraadpleeg. Die skrywer kon nie gepubliseerde weergawes van Dansrapsodie – ʼn Afrika-stad en Fanfare Festival Overture opspoor nie, daarom is die ontleding met behulp van afskrifte van die handgeskrewe manuskripte onderneem. Daar is gereeld na die CD-opnames van albei werke (op die Claremont GSE-etiket) geluister. Die verhandeling bestaan uit ses hoofstukke. In die eerste hoofstuk word die agtergrond en motivering vir die studie uiteengesit en Hoofstuk 2 bevat kort biografieë van Grové en Zaidel-Rudolph. Grové se Dansrapsodie – ʼn Afrika-stad word in Hoofstuk 3 ontleed en verskillende Afrika-etniese elemente word beskryf soos wat dit van toepassing op die analise is. Zaidel-Rudolph se Fanfare Festival Overture word in Hoofstuk 4 op dieselfde wyse as Dansrapsodie – ʼn Afrika-stad ontleed. Die laaste twee hoofstukke (Hoofstuk 5 en 6) bevat ʼn vergelyking tussen die aanwending van Afrika-etniese elemente in die twee komposisies, asook gevolgtrekkings en voorstelle vir verdere studie. Die belangrikste gevolgtrekkings is die volgende: <ul> <li> Afrika-etniese elemente word in albei werke op só ʼn manier aangewend dat die komposisie vir ʼn Westerse orkes toeganklik is.</li> <li> In albei werke se struktuur word die roep-en-antwoord-beginsel en herhalende melodieë wat tydens elke herhaling effens gewysig word (permutasie) aangewend. Die melodiese inhoud word deur die mineur terts (ʼn interval van die pentatoniese toonleer) en twyfelagtige tonaliteite oorheers. Ritmiese ostinaatpatrone, die 12/8-metrum en poliritmiek in die Afrika-deel van Zaidel-Rudolph se komposisie bewerkstellig onmiddellik Afrika-etniese assosiasies. Die bongo-tromme en marimba kom in albei komposisies as Afrika-instrumente voor.</li> <li>Grové en Zaidel-Rudolph benader die aanwending van Afrika-etniese elemente in Westerse musiek op verskillende maniere.</li></ul> ENGLISH : The main objective of this study was to analyse the structure, melody, rhythm and instrumentation of Stefans Grové’s Dansrapsodie – ʼn Afrika-stad and Jeanne Zaidel- Rudolph’s Fanfare Festival Overture in order to determine which African ethnic elements are used in the two compositions and how these elements are applied. A comparative study was done to determine what the similarities and differences are between the two works. Several mini-dissertations, dissertations and theses about works by Grové and Zaidel-Rudolph were consulted. The author could not find published versions of Dansrapsodie – ʼn Afrika-stad and Fanfare Festival Overture, therefore the analysis was done with copies of the hand-written manuscripts. The author frequently listened to CD recordings (Claremont GSE label) of both works. The dissertation consists of six chapters. In the first chapter the author explains the background and motivation for the study and Chapter 2 contains short biographies of Grové and Zaidel-Rudolph. Grové’s Dansrapsodie – ʼn Afrika-stad is analysed in Chapter 3 and the different African ethnic elements that apply to this work are described. Zaidel-Rudolph’s Fanfare Festival Overture is analysed in Chapter 4, in the same way as Grové’s Dansrapsodie – ʼn Afrika-stad. The last two chapters (Chapter 5 and 6) include a comparison between the application of African ethnic elements in the two compositions, as well as conclusions and suggestions of topics for future studies. The most important conclusions are the following: <ul> <li> African ethnic elements are applied in such a way that both compositions are accessible for Western (“art music”) orchestras.</li> <li> In both compositions’ structure the call-and-response principle and repeated melodies (that are modified during each repeat) are applied. Both works’melodic content is dominated by the interval of a minor 3rd (an interval from the pentatonic scale) and an ambiguous tonality. Rhythmic ostinatos, the 12/8 metre and polyrhythm in the African part of Zaidel-Rudolph’s Fanfare Festival Overture immediately bring about African ethnic associations. The bongos and marimba as African instruments can be found in both works.</li> <li> Grové and Zaidel-Rudolph approach the application of African ethnic elements in Western art music in different ways.</li></ul> Copyright Music unrestricted 2013-09-07T11:57:07Z 2010-08-31 2013-09-07T11:57:07Z 2010-04-20 2010-08-31 2010-08-31 Dissertation Van Graan, C 2009, 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans), MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/27653 > E10/363/gm http://hdl.handle.net/2263/27653 http://upetd.up.ac.za/thesis/available/etd-08312010-142055/ © 2009, University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf application/pdf University of Pretoria
spellingShingle Fanfare festival overture
Analysis
Orchestration
South african composers
South african orchestral works
African instruments
Afrika-etniese elemente
Orkestrasie
Analise
Suid-afrikaanse orkeswerke
Afrika-instrumente
Suid-afrikaanse komponiste
Dansrapsodie - 'n afrika-stad
African ethnic elements
Jeanne zaidel-rudolf
Stefans grové
UCTD
'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title_full 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title_fullStr 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title_full_unstemmed 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title_short 'n Analitiese oorsig van Stefans Grové se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
title_sort n analitiese oorsig van stefans grove se dansrapsodie n afrika stad en jeanne zaidel rudolph se fanfare festival overture met spesifieke verwysing na die aanwending van afrika etniese elemente afrikaans
topic Fanfare festival overture
Analysis
Orchestration
South african composers
South african orchestral works
African instruments
Afrika-etniese elemente
Orkestrasie
Analise
Suid-afrikaanse orkeswerke
Afrika-instrumente
Suid-afrikaanse komponiste
Dansrapsodie - 'n afrika-stad
African ethnic elements
Jeanne zaidel-rudolf
Stefans grové
UCTD
url http://hdl.handle.net/2263/27653
http://upetd.up.ac.za/thesis/available/etd-08312010-142055/