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An empirical investigation of loudness fluctuations in South African broadcast audio

Mini Dissertation (MMus)--University of Pretoria, 2016.

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Other Authors: De Villiers, William Murray
Format: Thesis
Language:English
Published: University of Pretoria 2016
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access_status_str Open Access
author2 De Villiers, William Murray
author_browse De Villiers, William Murray
author_facet De Villiers, William Murray
collection Thesis
dc_rights_str_mv © 2016 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
description Mini Dissertation (MMus)--University of Pretoria, 2016.
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institution University of Pretoria (South Africa)
language English
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provenance_str_mv Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository
publishDate 2016
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publishDateSort 2016
publisher University of Pretoria
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spelling oai:repository.up.ac.za:2263/51257 An empirical investigation of loudness fluctuations in South African broadcast audio De Villiers, William Murray Loots, Jozua J.G. Audio technology Broadcast loudness UCTD Empirical investigation Loudness fluctuations South African broadcast audio Music theses SDG-03 SDG-03: Good health and well-being Music theses SDG-04 SDG-04: Quality education Music theses SDG-09 SDG-09: Industry, innovation and infrastructure Music theses SDG-10 SDG-10: Reduced inequalities Music theses SDG-11 SDG-11: Sustainable cities and communities Mini Dissertation (MMus)--University of Pretoria, 2016. The aim of the study was to investigate whether South African free to air television and radio broadcast audio contains loudness fluctuations that fall outside previously determined limits of listener comfort. This is a relevant aim as consumers often complain about loudness fluctuations in broadcast audio (e.g. “why are the commercials so loud?”). Loudness is an inherently subjective phenomenon that is not only subject to differences in human perception from day to day, but also more specifically by the frequency content, localisation, spatialisation and duration of the audio stimulus. Traditional audio level meters only measure the audio signal or digital samples, and do not take any of these psychoacoustic phenomena into consideration. Broadcast audio has traditionally been regulated by specifying the permitted maximum level (PML) of the signal to avoid overloading the transmitter or over- modulation the broadcast signals. While this is necessary to keep the transmission inside the technical dynamic range of the medium, it does not correspond to the perceived loudness of these signals. With the addition of power dynamic range processing techniques, content producers and broadcasters were now able to raise the average level (and correspondingly the perceived loudness) without affecting the permitted maximum level or the peak level of the signal. Broadcasts were still compliant, but subjectively louder. As this process has not been done uniformly across various stations, and various types of audio, fluctuations occur both between stations, and between different segments on the same station. These fluctuations are the cause of listener complaints. There has been a move in international regulators and broadcasters to make a paradigm shift from peak normalisation to loudness normalisation of broadcast audio content. Limited, to no adoption, of this new paradigm in South African broadcasting is evident. This study provides baseline data of the status quo of South African free to air broadcast audio to investigate whether it contains problematic fluctuations, and therefore whether a move from peak to loudness normalisation could possibly have a positive effect. The study found that generally radio broadcasts suffered from greater and more problematic loudness fluctuations compared to television. Televisions broadcasts differed enough from station to station to cause inter-station loudness fluctuations outside previously determined limits for listener comfort, but not intra-station fluctuations. SABC 2 was found to be the loudest and SABC 3 the softest at this particular testing high-site. Radio broadcasts contained a large proportion of inter-station fluctuations, and while it varied considerably from station to station, each station contains some proportion of intra-station fluctuations. Advertisements were found not to be the loudness programme segment type. It was found that the following segments types were generally the softest to the loudest: talking, advertisements, links (interstitials) and music. Ikwekwezi FM was found to be the loudest station by far, with Lotus FM the softest, with a very wide difference of 13.7LU between their integrated station loudness values. The vast majority of broadcast audio was found to have a loudness range appropriate to the intended platform, but perhaps limited to the range appropriate the lowest common denominator, resulting in signals with high to extreme levels of dynamic compression and peak limiting. The study also provided much greater levels of detail of the nature and extent of all loudness fluctuations, especially for radio loudness data. Additionally, ‘zap testing’ methodology was tested to simulate real-life inter-station fluctuation scenarios, and also found to be an efficient method for extrapolating overall station loudness for a larger set of stations. Finally, the study recommends the paradigm shift from peak to loudness normalisation for all audio content producers and distributors in the country, and suggests the EBU R 128 recommendation as the most viable starting point. ae2025 Music Unrestricted SDG-03: Good health and well-being SDG-04: Quality education SDG-09: Industry, innovation and infrastructure SDG-10: Reduced inequalities SDG-11: Sustainable cities and communities 2016-01-26T06:26:57Z 2016-01-26T06:26:57Z 2016-04-13 2016 Mini Dissertation Loots, JJG 2016, An empirical investigation of loudness fluctuations in South African broadcast audio, MMus mini-dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/51257> A2016 http://hdl.handle.net/2263/51257 en © 2016 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria
spellingShingle Audio technology
Broadcast loudness
UCTD
Empirical investigation
Loudness fluctuations
South African broadcast audio
Music theses SDG-03
SDG-03: Good health and well-being
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-09
SDG-09: Industry, innovation and infrastructure
Music theses SDG-10
SDG-10: Reduced inequalities
Music theses SDG-11
SDG-11: Sustainable cities and communities
An empirical investigation of loudness fluctuations in South African broadcast audio
title An empirical investigation of loudness fluctuations in South African broadcast audio
title_full An empirical investigation of loudness fluctuations in South African broadcast audio
title_fullStr An empirical investigation of loudness fluctuations in South African broadcast audio
title_full_unstemmed An empirical investigation of loudness fluctuations in South African broadcast audio
title_short An empirical investigation of loudness fluctuations in South African broadcast audio
title_sort empirical investigation of loudness fluctuations in south african broadcast audio
topic Audio technology
Broadcast loudness
UCTD
Empirical investigation
Loudness fluctuations
South African broadcast audio
Music theses SDG-03
SDG-03: Good health and well-being
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-09
SDG-09: Industry, innovation and infrastructure
Music theses SDG-10
SDG-10: Reduced inequalities
Music theses SDG-11
SDG-11: Sustainable cities and communities
url http://hdl.handle.net/2263/51257