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Power in Madness : a critical investigation into the musical representation of female madness in the mad scenes of Donizetti’s ‘Lucia’ from Lucia di Lammermoor (1835) and Thomas’s ‘Ophélie’ from Hamlet (1868)

Mini Dissertation (MMus)--University of Pretoria, 2016.

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Other Authors: Panebianco-Warrens, Clorinda Rosanna
Format: Thesis
Language:English
Published: University of Pretoria 2016
Subjects:
Lucia di Lammermoor
Gaetano Donizetti
Hamlet
Ambroise Thomas
Opera
Analysis
Madness
Nineteenth century
Performance
UCTD
Music theses SDG-04
SDG-04: Quality education
Music theses SDG-05
SDG-05: Gender equality
Music theses SDG-10
SDG-10: Reduced inequalities
Music theses SDG-16
SDG-16: Peace, justice and strong institutions
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Summary:Mini Dissertation (MMus)--University of Pretoria, 2016.

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